Wednesday, March 25, 2015

New(-ish) Pattern: Walking on Sunshine

I'm very happy to announce the availability of my Walking on Sunshine sock pattern. (The inspiration for the name? Well, it's a wavy cable, and a sunshiney colour... Children of the 1980s will immediately recognize it. Others will just be amused by the terribly dated video.)

This is actually an update of an old pattern I designed for the sadly-no-more VanDerRock yarns.

We've reworked it, update the pattern write up to my current standards and created easier-to-work from charts. It comes in three sizes for adult women - foot circumferences 7 1/4 (7 3/4, 8 1/4), to be worn with the usual inch or so of negative ease. The pattern is written for DPNs, magic loop or 2 circulars, as you prefer.

I've used Indigodragonfly's fantastic sock yarn, in one of her trademark crazy colours "Dawn's in Trouble, it Must Be Tuesday". (Kim always has just what I need. Last month I asked her for yarn the colour and texture of a shark, and not only could she do it, but it's a standard colourway.)

I love all-over cabled socks, and I ran the cables right down into the heel flap, too.

Need a slightly toothy but not crazy-making sock pattern to brighten up the dull days of March?

Need something to test out your new sunglasses with?

Available through the usual sources: Ravelry, Patternfish and LoveKnitting.

Fantastic photos taken by Gillian Martin, and thanks to Keri Williams for tech editing.

Sunday, March 22, 2015

New Craftsy Class & Giveaway!

I'm absolutely thrilled to announce that I have a new Craftsy class launching at the end of the month: Perfect Knits Every Time - Understanding Knitting Patterns is aimed at knitters who are confident with needles and yarn, but are less confident about working from patterns.

I encounter a lot of knitters in this boat. I remember being that way myself. In my early 20s, when I decided to try knitting again, after a few years' hiatus, I went into a yarn shop. I knew what to do with my needles and yarn, and so I asked for some help choosing a project. They pointed me in the direction of the pattern binders and told me to choose something. Up until then, I'd worked from instructions my grandmother had given me, or had made pattern-less scarves.

I was terrified. How did I know what was going to be easy? I didn't understand the first thing about reading the yarn requirements or figuring out what size to make, and I certainly didn't know what WS and RS and foll alt and even and all those other terms meant. And then there were those *... repeat from where?

(I actually remember asking the woman behind the cash desk how I would know that the hat would come out the right size, when there were all these different yarns to choose from.)

In this class I explain how to understand everything about a pattern: not just how to read the instructions and understand all those special terms and abbreviations, but also
  • where to find good patterns
  • how to identify the right pattern for your skill levels
  • how to make sure you're using the right needles and yarn for the project
  • how to understand the sizing information given, and to make sure you always choose the right size to make
  • how to read and work from charts
The goal is to help you find a pattern that's appropriate to your skill level and interests, and make sure that you're able to work through it with ease.

Along the way I share tips for working from a pattern, to ensure you not only produce a beautiful finished result, but also that you have a good time doing it!

I'm giving away a registration for the class. Enter here. The contest ends midnight Eastern Time Sunday March 29th.

Because browsing for patterns is an important part of the process... 

Sunday, March 15, 2015

In Which I Sort Of Lose It, And Find It Very Informative

I don't spend a ton of time browsing or shopping on Etsy. I have bought the odd gift there, and some craftspeople whose work I love use the site to sell their work. But otherwise I'm not a big user.

I was aware that there are knitters selling handknits on the site - and there is the concern about the now-common practice of selling products manufactured elsewhere. Abby Glassenberg has a fantastic blog post on this topic.

The other day, I tripped over an Etsy shop selling handknits (to which I won't link, for reasons that will be obvious) . I was doing some looking around, as you do, to investigate how a particular design element was being used in fingerless mitts.

My reaction to this shop was visceral. I was shocked. I was appalled. I was offended. I was angry.

The strength of my reaction took me by surprise.

It was pretty clear from the photos that all the items in the shop were worked with twisted stockinette stitch. That is, all the stitches were twisted.

Image from blog

Now, some patterns use twisted stitches deliberately, for an effect.  Bavarian stitch patterns use them to create beautiful mini cables and travelling stitches.

And sometimes, twisted stockinette is used to create a denser fabric, or to add bias or change the fabric in some other way.

And indeed, some knitting traditions are based on twisted stockinette - specifically Eastern Crossed. It's not like it's not a valid technique.

But it's rare. Especially in North America.

The items in this Etsy shop weren't using Bavarian stitches, and given that they're all stuff like ordinary fingerless mitts and cowls, I'm pretty sure that they weren't using twisted stockinette for a particular effect. And the name of the store and the knitters and the (admittedly little) info given lead me to believe that they're not using Eastern Crossed.

I can't know for sure, obviously, but my immediate conclusion, therefore, was that the knitters creating the items for sale in this store are knitting wrong.

That's a loaded word, absolutely. And my reaction was loaded, too.

As a knitting teacher, I am all about options. I much prefer that students know that rationale behind a particular step or stitch or method, and understand where there are options. And I like, where possible, to allow the knitter to make her own decision about those options.

But I surprised myself with the immediately of my judgement about these items. My initial reaction was not to consider or allow any options - just that they were doing it wrong.

Technically speaking, what the knitters are doing is ok, it's is just not the common North American method.

When I calmed down a bit, and was able to open my mind a bit more, I went back to look at the store again.

And I realized what was making me angry. It was that it seemed pretty clear (again, the only info I have is the store info and the item descriptions, so I will freely admit to jumping to conclusions) that the knitters weren't aware that they were doing anything unusual.

And that was it. That was the bit that I was upset about. These knitters didn't know enough about their knitting to know that what they were doing was either worth fixing or worth explaining. Indeed, I was forced to conclude they didn't know enough about their knitting to even notice - and presumably wonder why - their work didn't look like the work of knitters around them, and as shown in books and magazines and in other pictures online.

And that makes me sad. If you don't see that your work is different, and then wonder why, and then learn more, then the conclusion I come to is that you don't really care about your knitting. And of course, I'm sad about that.

But then to sell those pieces to others... that's the bit that I got angry about.

Now. Does this matter? Not really! And I know there's lots of stuff of questionable quality on Etsy. It's not like Etsy is promoting these items as the best of knitting, or anything.

But ultimately, I realized, I was angry because I didn't want anybody to be disappointed with a knit piece. I didn't want anybody to not like a knit piece. I didn't want anybody to make something substandard, that would leave people with an incorrect impression about handknits.

So yes, as Kim said, I did "flip out" a bit. Probably more than strictly necessary... But I have to say that in thinking about it, I learned a little something about myself.

(As a side-note, I also learned that it's very easy to created twisted stockinette if you're working on a loom, although again, these items were described as handknits, and some of the patterning used would be difficult to work on a loom, so I don't think that's the cause of the issue.)

What do you think? How would you feel if you saw something being sold that was "wrong"?

Thursday, March 12, 2015

Reader Mail! Questions about Blocking and Casting On and Yarn Subs

I've been getting a few comments lately, with questions in them.

Although the commenters are leaving their name, they aren't leaving any contact info.

I'll be honest, I'm not actually sure how/where to respond to them. Is the commenter expecting to find the reply in the thread on that particular post? Or should I write a new post? Any thoughts? Is there a standard protocol for this?

What I'm going to do is write the replies here, and then link to this blog post from the comment threads on the various posts. And just hope that my correspondents find them.

In my recent post on Blocking SusanJD asks about blocking swatches.
About blocking swatches for checking gauge. how do you block a swatch to get an accurate measurement of gauge?
Block the swatch the way you intend to wash the garment... if it's a machine washable yarn, machine wash it. If it's a hand-wash only yarn, handwash it and then roll in a towel to squeeze most of the moisture out. If it's going to be a big piece, like a long scarf or a one-piece seamless garment, hang the swatch to dry.

An anonymous knitter asks about yarn substitutions for Mission Falls Cotton, in the post about my "Colour Your Own Story" baby blanket.
Would love to make this blanket! Mission Falls is no longer in business, how much of each color of worsted weight yarn will I need?
Mission Falls Cotton had 85yds/78m per ball. I used one ball each of 7 colours.

And on my post about the Long Tail Cast On, Olivia asks a very good question
Great post! I'm a beginner knitter, and I love how quick and easy long tail casting on is. However, I find that after I cast on and begin the first row, I always have what I call a "yarn bridge" in between the two needles: basically a stretch of yarn that looks like a very loose stitch got caught in between the needles. Any idea on why this happens/ how to prevent it from happening? Thanks!
I assume that you're talking about when working in the round... ? If not, let me know and I'll provide more info.

It's actually pretty hard to get a really tight join when working in the round... Do the best you can, pulling the first couple of stitches of the first round as tight as you can. But then as you work around and around, you'll work over that spot many times, and it will tighten itself up. And when it's time to weave in the ends, use the tail to tidy up any residual looseness.

Wednesday, March 11, 2015

This Weekend! Classes at Linda's Craftique in Port Credit

I hesitate to the use the "s" word, but I think the worst of winter might be behind us. (I'm still wearing two pairs of socks, however. I wouldn't want to tempt fate.)

The best part of turning the calendar page to March is that my teaching schedule starts to heat up again with all sorts of fun events.  And it kicks off this weekend, March 14th, with a visit to Linda's Craftique in Port Credit. I'm teaching two classes: the all important Finishing and Top Down Socks 101.

Info here.

Sunday, March 01, 2015

My favourite new thing: my necklace

For a long time, I've worn a little sterling silver crochet hook pendant on a necklace. I love it, but it's always felt a little wrong to me.

I mean, I'm a knitter.

I've wondered about a knitting equivalent, but never really found the thing.

Until this past Vogue Live in New York. Thanks to the Tsock Tsarina, I was introduced to the fabulous work of Leslie Wind. She's a jeweler, and she makes the most wonderful things for fiber artists.

I was idly looking at a nice display of shawl pins in the booth of Tsock Tsarina. And there it was. The clouds parted and the heavenly choir sang.

A hand-made sterling silver bent-tip darning needle. It's stunningly beautiful and just perfect for me. One of my favourite classes to teach is Finishing, after all. I am a loud and enthusiastic proponent of seaming.

And I regularly go on and on and on about how wonderful the bent-tip needles are.


It's taken me a few weeks to figure out how to wear it, though. I initially just stuck it on a chain, but it hung sideways - you couldn't see the gorgeous eye. And then I tried a jump ring, but because the eye is quite deep, it didn't hang right.

Last week, when visiting my K/W posse, I asked Sue if she knew anyone who could help. She looked at me rather askance, texted Jen, and within minutes my problem was solved.

You see, Jen makes stitch markers. Lovely clever and fun little beaded stitch markers. In fun shapes.

So she just made me a custom stitch marker. A long skinny rectangle. With a bead, of course.

Now it's perfect. And I haven't taken it off.

Thursday, February 19, 2015

On Blocking, and Vegetables


My first Craftsy class (ooh... there's a hint there... ) is all about Blocking.

I was having a discussion with someone about it recently. He described the class as being an "Eat Your Vegetables" sort of thing.

Now, I feel very strongly about blocking. It's one of the least-understood and yet most important steps in the knitting process. Everything I knit has a bath before I declare it done.

Especially swatches. And anything that needs seaming. Or any special fabrics like lace, cables or colorwork. Or anything that I might have spilled coffee on. Or that might have dog hair on it. Or anything I've knitted during the winter when I'm obsessively applying moisturizer to my hands.

Now, if I tell knitters that they should wash their stuff before it's done, fear of water aside, this instruction is usually understood. And knitters can usually cope.

But as soon as we use the word blocking... well, we get blocked.

It sounds complicated. There's special equipment: mats and wires and pins. And you need to buy special wool-washes. And lie things flat. It sounds hard.
(So let's get this out of the way: 9 times out of ten, a wash is sufficient for blocking. Yes. When I say "block", most of the time all you need to do is wash it. 
Yes! The only time you need to do anything complicated, or with special equipment like mats and pins and wires, is when it's lace. The rest of the time, washing is ALL YOU NEED TO DO.)
And compounding the problem, I think we do a lousy job of explaining the value of blocking. We don't even do a good job of explaining why it's so important - let alone why it's so wonderful.

It's a bit like eating your vegetables. It sounds difficult and boring and it doesn't seem like there's any value. Who wants to, really? So you don't.

But then you discover that broccoli with cheese sauce is delicious, and that mushrooms add a sophisticated depth of flavour to a tomato sauce, and that roasted cauliflower with a bit of garlic, salt and olive oil is an even better snack than greasy old chips.

But you have to prove it to people. They won't just take your word for it. They have to try the roasted cauliflower. (Really, you do. It's amazing.) I have had to actually take stuff out of people's hands and put it in water, to prove my point. And then they get it.

To that end, I had a comment from a student in my Craftsy class recently that I wanted to share with you.
I knit a large hat, my first large item on size 1 needles, first 2 color in about 40 years and I was not really thrilled with it. But after blocking, it was just like you said. The stitches evened out and I feel the 4 months it took me to knit it (a promised gift) was time well spent after all.

See? Just like I said. Totally worth it!

And if you're still not sure it's worth your time or money, here's a trailer for the class.

Tuesday, February 17, 2015

At Shall We Knit this weekend

In some ways I'm very relieved that the end of February is approaching fast. But in others, I feel like it's moving too quickly. It feels like it was only last month I was visiting some of my fibre-besties over at Shall We Knit in Waterloo.

But it was before Christmas. Before the epic winter of coldness and misery got started.

I'm teaching a full slate of classes:

Two Socks Two Circulars. Because Second Sock Syndrome is a Very Real Problem.

Fearless Finishing. Because admit it: you don't like sewing up, and there's a little voice in your head that says you're probably weaving your ends in wrong. For knitters of all experience levels, this class focuses on making it easy and fun. And helping you understand the value of the techniques. I explain blocking and seaming and ends and picking up stitches.  And I promise I won't judge - you should have seen my first attempts at seaming!

Introduction to Colourwork. Because working one colour at a time is boring. Stripes, both horizontal and vertical! Polka dots! Checks!

Cables 101. If "C6R", "T2L" and "C3/2B" make you panic; and charts cause concern. This bootcamp will have you working cables with ease and style - and definitely no tears.

Plus, I believe the sale closet is open this weekend. I have a special weakness for the sale closet.

Thursday, February 12, 2015

So many great things! Frolic classes, Sockupied Knee Socks, New Book Cover Art

Weeks like this are immensely gratifying. As a freelancer, I work on many different projects at the same time, all with different deadlines and timelines. Although I'm working at a pretty steady pace through the year, the pace of releases doesn't always match that... sometimes nothing gets released for weeks at a time. And sometimes a bunch of things I've been working on for weeks/months/years all launch at the same time.

And this is one of those weeks!

Working on for weeks:
I'm teaching at this year's Toronto Knitters' Guild Frolic April 25 & 26. I love this event. The vendor fair is always fantastic, I get to see so many of my far-flung friends, and I have a wonderful time with smart and engaged students.

This year, I'm teaching:
  • Crochet for Knitters
  • Short-row Skills
  • Slipped Stitch Colourwork
  • Continental Knitting
  • Intro to Brioche
  • Finishing Masterclass
There's a great line up of instructions, some of them new to the Frolic. If I wasn't teaching? I'd be first in Amy Swenson's photography for knitters class, or exploring beading with Sivia Harding.

(I won't lie: one of the reasons I always get so excited about it is that it's always announced in the depths of the winter, and it always makes me feel that perhaps Spring might be coming after all.)

Working on for months:
My Washington State Knee Sock design is in the just-released Spring 2015 issue of Sockupied
Image courtesy Sockupied/Harper Point Photography
Accompanying the design is an article about how to create custom-fit knee socks. Because after all, we're not the same height and we certainly don't all have the lovely legs the model has... 

Now, I love wearing knee socks, but knitting them is less fun. That leg takes a loooooong time. They can be tedious, it's true. Can I share a secret with you? These socks are worked in sport-weight - Lorna's Laces very clever and lovely Sportmate! Trust me, they go MUCH faster than if worked in fingering weight. I swore off knitting knee socks after two designs in short order, but when they told me I could work in sport-weight, I had no qualms at all.

Working on for  years:
My Custom Fit Sock book cover art has been revealed, and the book is available for pre-order through Amazon in the US, Amazon in the UK, and indigo in Canada

I'll write more about this book in the near future. I'm too busy jumping up and down about how great it looks.

Monday, February 09, 2015

A Knitter's Guide to Yarn: Webseminar this Wednesday!

On Wednesday I'm doing another web seminar for Interweave: A Knitter's Guide to Yarn

The right yarn choice can be all the difference between a garment you’ll wear and proud of, and something that never sees the light of day. This web seminar will help you become a better yarn shopper and a more confident knitter with better finished projects.
With this web seminar, join designer Kate Atherley, you'll talk yarn thickness, weight and gauge, demystifying all the different categorizations: it is a #4, a worsted or an aran? What’s a DK and how does it relate to a sportweight? And why is a fingering weight yarn not always a sock yarn? You'll learn an easy way to check your gauge and provide solutions for what to do if you can’t match the pattern.

For $19.99, you can join me live, or listen to the prerecorded webseminar at your leisure. All preregistered attendees get a copy of the slides, too.

For more info and to sign up, visit the Interweave store.

Wednesday, January 28, 2015

In Which I Am Grateful for Friends Who Ship Things: YOU CAN BUY THE HARD COPY OF THE BOOK

Because life, work and illness got in the way, my grand plans to sell the hardcopies of my book directly from my own website were derailed.

To fill in the gap, the very very good people of indigodragonfly yarns are selling them for me.

Here. But the physical (Hard copy. You know: on paper.) book here. 

The fine print: $30 plus taxes and shipping, As a way of apologizing for the delay, for a short-time only, if you buy this, and agree to share your email address with me, I will also give you a copy of the e-book.

If you bought the e-book, the hard copy is $10. Contact me with proof of your purchase and I'll provide you with a coupon code.

And if you're local to Toronto, there are copies at The Purple Purl and Lettuce Knit, and Shall We Knit shall soon have some, too.

Thursday, January 22, 2015

Begging patience

I know. I know. I said I would put the physical copies of my Pattern Writing book up for sale when I got back from Vogue Live.

I'm not often one to moan and complain about my work - I LOVE WHAT I DO. But I've hit the wall this week.

I've come down with a cold, I've had a bunch of deadlines moved up on me, and I've got a million things to take care of before I leave again on a VERY IMPORTANT trip February 2nd ( more on this later). I have a major writing deadline Friday. I have three events needing class details to be confirmed, class descriptions to write and photos to create and supply. I have a bunch of tech editing deadlines. I have a webseminar to prep for . Plus I have my usual local teaching engagements. I have invoices to create so I can get paid. Simply put, due to moving schedule items that other people have declared urgent, I am overbooked. I have put off as much as I can, but I can't say no to anything else.

To put the books up for sale requires me to tweak my shopping cart code for my website and update the pages it's on. It requires me to go to the post office and figure out shipping costs for Canada, US and various European countries. It requires me to buy puffy envelopes. It requires me to take orders and fulfillment.

I'm hugely sorry and frustrated about this myself, but I simply haven't got the time to take care of this this week or next. This is the thing I want to do most of all on my to do list, but I am a one woman business and right now that's not enough staff.

There are books left over, I promise.

If you're in dire need, both The Purple Purl and Lettuce Knit in Toronto have inventory. Otherwise, I hope to get to this the second week of February.

Thank you for your understanding.
Thank you

Monday, January 12, 2015

Actual books. You know, like, on paper.

The original plan for Pattern Writing for Knit Designer was that it be a digital book only. It was only going to be a small thing - maybe 30 pages, I figured - and so it didn't need to be an actual, you know, BOOK.

But then it turned into something bigger. 160+ pages. More like a Book.

So I've done a print run. First one is 200 copies. They arrived today.

(Wow, those are terrible photos. In my defense, I was excited.)

I will be selling the books for $30 at the indigodragonfly booth at Vogue Knitting Live in NYC this weekend, and then once I'm back I'll put them up for sale through my website. Stay tuned for details.

Saturday, January 10, 2015

Math for Knitters: Webseminar Part 2

Recorded late last year, the second part of my Math for Knitters Webseminar series is now available for download and listening at your leisure.

This two-part series of one-hour presentations focused on numbers issues in knitting...

In Part One, I discussed:
Yarn shop math: how to make sure you're buying enough yarn for your project.
Pattern math: gauge math; repeats and how to deal with numbers-intensive instructions in your project, like "decrease five sts evenly across; and the dreaded 'Reversing Shapings' and 'At the Same Time'.
Project math: how to figure out how long it will take you to finish your project, how to figure out if you have enough yarn, how to figure out how long you can make your scarf.

In Part Two, I went deeper:
Gauge: what it's all about: why it matters, how to check, it, and what to do if you can't match it.
Adjusting patterns for gauge: how to do it, and when not to.
Adjusting patterns for sizing and fit: easy ways to modify a garment to improve the fit.

Although I know that I love the math, not everyone else does, so many of my solutions are about keeping the number-crunching to a minimum.

This session will make you a smarter shopper: my goal is help you figure out how to choose patterns that are easiest to modify. And then I'll show you how to make those modifications to get exactly the result you want!

If you love math, this class is for you - I'll empower you to adjust and modify patterns to your needs! And if you don't love math, this class is for you - I'll show you how to avoid it as much as possible, while still making adjustments.

Both classes are available for on-demand listening, for $19.99 each. Part One. Part Two.

Friday, January 09, 2015

Webseminar on Pi Shawls: Wednesday January 14th

It is generally acknowledged that Elizabeth Zimmermann was a genius. Not just a genius of knitting, but a genius in the way she saw the world. She achieved many wonderful things, but the one I admire the most is mathematical: the Pi Shawl. I’m relatively good at math (a degree in Pure Mathematics) and relatively good at knitting (have been teaching it and writing books for more than ten years), but never in a million years would I have made the leap that she did.

If you’re not mathematically inclined, all you need to know is that our lady of knitting, Ms. Zimmermann, realized that the application of a simple fact of geometry could make knitting a circular shawl significantly easier and more fun to knit.

In her words, “I have a circular shawl for you which starts at the center, has absolutely no pattern, and only six shaping rounds in the whole thing.” It was published first in her seminal book Knitter's Almanac.

The traditional circular shawl is shaped through a fairly complex geometry, either 16 increases every fourth round, or 8 increases every other round. All well and good, and not too hard to work, but it means that there’s a fair degree of counting and keeping track, and if you wanted to work some kind of lace pattern, there was a fair bit of planning and calculation required to incorporate the shaping into the lace pattern.

Now, whether she was helping one of her children with her geometry homework at the time, I’m not sure, but what Ms. Zimmerman did realize is that applying a rule about circle size could reduce the number of shaping rounds radically. The rule is this: that as the diameter of a circle doubles, so does the circumference.

What this means is that you start in the center, at regular distances, you simply double the stitch count. Work even for a distance, and double the stitch count. Each time, the distance worked even gets longer: doubles, in fact.

It’s the easiest pattern in the world to memorize, and because there are large sections worked even, you can work stitch patterns and motifs without having to worry about shaping. Or none at all! In some ways, the entirely pattern-free eyelet version is the best one of all. Genius.

It works for any weight of yarn, and you can work until it’s whatever size you want or need.
My Rosetta Tharpe design

In this webseminar, I will explain the mathematical principles that make it work, and I’ll show how you can create your own without having to worry about any math at all.

I'll share the basic Pi shawl pattern and its eyelet variation, and talk through a variety of ways to customize your own – through yarn choice, by adding pattern stitches and lace motifs. I'll talk through the technical details: the circular start and a variety of options for bind-offs and clever edgings that require no binding off at all. Along the way I will discuss tips for making lace knitting fun, and for ensuring your finished shawl is the most beautiful it can be.

Sign up now. You can attend live this coming Wednesday, January 14th at 1pm, or listen after the fact, at your leisure.

Tuesday, January 06, 2015

Twitter update

Note that I've changed my Twitter handle to @kateatherley.

If you were already following me, it should automatically update.

If you just visit my page, go here:

Related: I've also changed my Ravelry name to kateatherley.

Don't mind me, I'm just establishing my brand...

Tuesday, December 30, 2014

VATMOSS and VATMESS and January 1st 2015

In response to the VATMOSS changes to taxation for purchases for EU customers, I'm making two (small) changes to how I go about doing things.

I will offer my patterns, as always, through Ravelry and Patternfish. Purchasers in the EU will see no major changes in their Patternfish experience, other than they will have VAT applied based on their location. Ravelry purchasers in the EU will be directed to LoveKnitting to complete their purchases.

Pattern Writing Book
I'll be shutting down my own mini online store that I've been using to sell my Pattern Writing book. If you wish to purchase that after December 31st, your options are Patternfish and WEBS. The price will be the same at both sites, and the experience exactly the same. (Although I'm sure what WEBS is doing for EU purchases... ) (There is no support for e-books currently with LoveKnitting, but as soon as that becomes available I will make sure the book is available there, too.)

Saturday, December 20, 2014

Design Along Contest

You've all heard of knit-alongs, where knitters support each other as they work on the same project. There are often contests for knitter who participate.

I'm very happy to announce that along with Kate of A Playful Day, and Jeni of Fyberspates yarns, we're doing something a little different: a design-along contest, coming up in the new year.

We're encouraging new designers to come up with ideas for a knit accessory. Designers will need to submit swatches/sketches/description OR a finished photo of something they’ve made already that they want to write a pattern for.

Kate, Jeni and I will judge the entries, coming up with 5 finalists, and the final winner will be decided upon by an open vote from your fellow knitters.

The winner will receive yarn support from Fyberspates, a 2-hour technical consult from me, and a one-hour consult from other Kate on publishing. Deadline is February 1, 2015.

More info here.

Friday, December 19, 2014

On Air Drying & Mildew

I wrote about sheep's wool and water a couple of weeks ago. In short: wool improves with washing. Wash it carefully, but do wash it.

I talk about this a fair bit, in my Blocking class, in my Finishing classes, and whenever given the opportunity.

There's a follow-up question I've heard a number of times recently... I thought it was worth addressing.

(Forgive some lazy sociology and history on my part, please.)

In the Western World, the last few generations have had the luxury of automatic clothes washing and drying machines. They have made a huge change in the lives of so many. And we've enjoyed them so very much that it's changed now only how we do our laundry, but how we think about laundry and fabrics and fibers.

To the point where I think we're not aware that it's possible to clean your clothes without them.

I'm a big fan of air-drying my clothes: it saves power, it saves wear-and-tear on my clothes, and in the winter it humidifies the apartment. I take the items out of the washer, hang them on the rack, leave them overnight. The next day, everything goes for a quick ten or fifteen-minute spin in the dryer to soften it all up. Done.

If it's a delicate/hand wash item, I will hand-wash it, roll it in a towel to squeeze most of the moisture out, and then I'll hang it.

If it's a heavy item - like, oh, I don't know, a sweater - I might choose to lay it flat on top of a towel on the flat portion of the rack.

But yeah, everything gets air-dried.

More than once, recently, when discussing methods for handwashing sweaters, I've been asked if the pieces will mildew if you don't put them in the clothes dryer.

I was a little puzzled at first, I'll be honest.

But then I realized... the younger knitters I was talking to had likely never hand-washed anything. They'd likely never air-dried anything.

At the risk of going all 'hippy', air-drying is better for your clothes,  better for the environment, and better for your wallet.

If you don't have a laundry rack, lie a towel on the floor or bed or mattress.  And as long as there's air circulation around the pieces, they will dry very nicely, with no risk of mildew at all.

Wednesday, December 17, 2014

New Pattern: Wavedeck

In all the fuss about the book, I sort of lost track of the fact that I had a new design coming out.

I actually told someone the other day that I hadn't been doing much designing of late. She laughed at me.

Introducing Wavedeck.

I've been playing with the Pi shawl concept for a while, and I published the Rosetta Tharpe Pi shawl this summer. I adore Ms. Rosetta a lot, and I wear her often.

A friend of mine said that she thought it was great, but reckoned that half the knitting was wasted. I asked her to explain. Her reply was simple: you're always folding it in half, aren't you?

She's entirely right. I tend to fold Ms. Rosetta over to wear her. So why not save myself half the time and half the yarn?

Like the Sick Day Shawl, this is a semi-circle, based on the same principle as the Pi Shawl. They're tons of fun to design! But also faster to knit and easier to wear! I've also made it faster by using a heavier than usual yarn: who says lace has to be worked in laceweight?

The lace looks complicated but it's really not. I've used one of my favourite stitch patterns for the edging: the classic Shetland Razor Shell.

The response has been wonderful so far, for which I'm very grateful.

Amy did the photography, and I'm utterly thrilled with how she made the piece (and me) look.

The location choice was a stroke of genius on her part: the Wavedeck at the foot of Simcoe Street, right in Downtown Toronto.

I used to work near here, and it was lovely to enjoy the sights I used to have to ignore while I was suffering through a corporate gig.

It's also not at all obvious that I was freezing cold and my arms were shaking from holding it up for so long. As any knit designer's model knows, it's remarkably difficult to stand still with your arms in the air for any length of time.

Monday, December 08, 2014

Awful photos.

One of the things I talk about in the book is the importance of good photography for your patterns: not just to make the thing seem sexy and attractive, but also as a tool for your knitters to be able to really see and understand the piece.

Back in September I gave one of my favourite photographers, Gillian Martin, a ridiculous assignment. I told her I wanted bad sweater photos.

"What d'ya mean, bad?"

"Something like the photos I take", I said. I'm terrible at photography.

Gillian enlisted her hubby and the lovely Sue Frost, and they had what was clearly a very fun afternoon taking some terrifically bad photographs.

Some of them are too bad to not share, if you see what I mean.

This one's ok, but it is a  little crooked.... 

Is this selling the sweater or the shawl? Neither very well...

Sue is adorable but I can't see much of the sweater... 

Pippin is even more adorable, but ditto.

Speaking of Pippin the cat... 

And because Sue loves her dogs as much as she loves her cats. In the moody darkness.

Nice hedge. Is that a sweater he's wearing?

Ok, I don't think we needed to get in *that* close.

Hi Gillian! I can see you!

I'm grateful to all three - plus Sue's pets - for being good sports about it all. I doubt Gillian will be putting this particular assignment in her portfolio, but I'm a very happy client.

Sunday, December 07, 2014


UPDATE: With encouragement from commenters and the Twitter-verse, I contacted the shop in question. They were responsive and appreciative of the help. Their response: "We want people to keep knitting and not get frustrated." I love this response and they should be commended for that.

Warning: Rant.

The longer I've been teaching knitting, the less patient I've become with bad pattern writing.

Heck, it's why I wrote the book.

Good pattern writing matters because I want knitters to be successful. A bad pattern decreases the knitter's chance of success. And that makes an unhappy knitters. An unhappy knitter is less likely to keep knitting. A knitter who stops knitting won't buy my patterns. Or anyone else's. Or yarn. Or needles. Or books.

I want to keep doing this for a living, so I want knitters to be successful and happy.

So when I see bad patterns I get grumpy.

And I saw a doozy this week.

(Some details have been changed to protect the guilty.)

It was for a hat. Apparently, an adult hat, but it didn't actually say that on the pattern. It was just called "Heidi's Hat".

It didn't have sizing information - either the size of the person to wear the hat, or the size of the hat itself.

It didn't have gauge information, so I couldn't even have worked out what size it was.

And the for the yarn info, it just named a yarn. Didn't tell me the put-up (size of ball/skein) or the yardage or the fiber content, or anything. Some yarns come in different sizes balls, you know... Paton's Canadiana, for example, comes in a few different sizes - 100gm and 85gm balls, depending on whether it's the tweed, solid or variegated variants); some sock yarns come in both 50gm and 100gm balls - Regia and Fortissima, for example. So to tell me that you need 1 ball of Yarn Co's Bulky Weight isn't enough. What if I can find that yarn and I need to substitute? Even if it was sold at a store selling both the yarn the pattern, what if I wanted to make it again, next year?

And without gauge info, how on earth am I to substitute accurately? Or even figure out the right needle size.

Oh yeah, needles. It tells me I need a 16 inch circular, but neglects to mention that I'll need other needes to handle the decrease (even though it mentions that in the instructions themselves).

And then the instructions. Hoo boy.

The CO was ok, and it did remember to tell me to join to work in the round so that was nice.

So you CO 56 sts, and work some ribbing... given as
Twisted Rib: K1 through back loop, P1.  
Continue for 2".

Not brilliantly described, but you could probably muddle through.

But then if offered the following:
Knit 7 stitches, kfb across the row. 

My poor knitting student, who wasn't much more than a beginner, had taken it at face value, and worked as follows: k7, and then kfb across every single stitch of the round.

And then, as she was told, she worked for 5 inches, and tried to do the decreases. Leaving aside that the decrease instructions we just as messy, we figured out that what the instruction should have been was:
(K7, kfb) across the round.

It's only brackets, right? How important could they be? Turns out they are VITAL.

K7, kfb to the end on 56 sts gets you a very funny looking round with 105 stitches, instead of the required 63.

(Oh yeah, and the row/round thing? That's not cool either. But again, you could probably have muddled through.)

And the decrease instructions were equally confusing... Lots of stuff like
K5, k2tog across the row

which again, is absolutely NOT correct. And because there was no stitch count given after any of the decrease instructions, my student had no way of knowing if she was on track or not.

Now, an experienced knitter would probably have done ok with this pattern. But my student wasn't an experienced knitter. She'd said that the woman who sold her this pattern said it was easy to knit. Oh yeah, it's a stockinette hat in the round. It's not difficult to knit that kind of hat if the instructions are good and/or you've made a hat before. But neither of these things were true, in this case.

And yes, you read that right. My poor student had paid money for this pattern.

This is not the way to keep knitters happy.

My poor student couldn't make it work and she was unhappy and just about ready to dump the project. When something goes wrong in pattern we're inclined to blame ourselves. She couldn't make it work, so she assumed she was a bad knitter. She was just about ready to give up knitting entirely.

Now, it is true that many weak patterns are weak because the designers writing the instructions don't have the knowledge or understanding or skills to write a good pattern. I didn't, at first. My early patterns were pretty poor. Knit designers are often born with good design skills, but no-one is born with good pattern writing skills. They're two very different skill sets.

I don't expect that designers are all interested/positioned for/inclined towards learning how to write patterns. That's ok. What would make me happy is just an appreciation that the quality of the instructions matters enormously - heck, our livelihoods depend on it - and an understanding that if you're not sure about it, you should get some help.

The good news (she says pompously), is that I can help. Buy the book.

Seriously, though. I love seeing new designers build their careers. I love all the great stuff that knitters are inventing. I just hate seeing new knitters being scared off the craft because of poor instructions.

For those who are asking, it's an in-store pattern from a newish yarn shop in a Canadian city. Not Toronto. Seems to me that it was written by one of the shop staff. Part of me wants to contact them and offer help, but I don't know if that would be appreciated or not. What do you think? Should I?

Thursday, December 04, 2014

In Which I Am Grateful

I've dedicated the new book to any knitter who has ever knitted from a pattern.

But actually, it's dedicated to me, 10 years ago. Me, when I was just publishing my first designs. This is the book I needed when I was trying to write up those first patterns, to save some myself some serious embarrassments and mistakes... (And to those poor knitters who tried to knit from my early patterns.)

I hope that it will help the next generation of knit designers as they publish their first designs.

There are lots of people to thank for supporting me on the project.

Kim Werker - editor extraordinaire. I'll be honest: I was worried when, after her first editing pass, she said it was in fantastic shape. I thought she hadn't read it closely enough.
Zabet Groznaya - not only is she a great person and a really good graphic designer, but she gets me. With barely any direction she produced a layout concept I adored.
Allison Thistlewood - marketing support. She asked the sensible questions and helped me figure out how to tell the world about it, and how to get it into people's hands.
Krystal London and Anne Blayney - for responding to desperate calls on Twitter for fast-turnaround design support. (The fact that they both regularly post adorable dog pictures on Twitter may or may not be connected.)
Avalon Sandoval for a bit of knitting which is being seen more broadly than I think she expected...
Gillian Martin and Sue Frost for some hilariously terrible photography.

And there are those who helped me with the content itself...

All the knitters who replied to my "tell me what you do and don't like in patterns" survey.

All the designers and experts who endured my questions and let me quote them:
Ruth Garcia-Alcantud, Kara Gott Warner, Elizabeth Green-Musselman, Zabet Groznaya, Nadia Majid, Kim McBrien-Evans, Amy Palmer, Emily Ringelman, Caro Sheridan, Lynne Sosnowski, Jenna Wilson, and Woolly Wormhead; Lorilee Beltman, Anne Berk, Donna Druchunas, Fiona Ellis, Katya Frankel, Deb Gemmell, Julia Grunau, Kate Heppell, Hunter Hammersen, Melissa Leapman, Lucy Neatby, Laura Nelkin, and Lindsay Stephens.

Those who suffered through early drafts:
Cari Angold, Rayna Curtis Fegan, Beth Graham, Janelle Martin, Kim McBrien-Evans, Lynne Sosnowski, Karie Westermann, Keri Williams, and Edna Zuber.

My former and current colleagues at Knitty:
Liz Ashdowne, Ruth Garcia-Alcantud, Ashley
Knowlton, Mandy Moore, Jillian Moreno, and Amy Singer.

Some key contributors deserve special mention: Lynne Sosnowski, for her most excellent contribution to the Selling Online chapter, and Jenna Wilson for setting me right on Copyright.

And then there's the home team: Norman for letting me shrug off housework, meal-making and dog walking duties. Anna at Cafe Unwind for Friday afternoon coffee breaks. And for Dexter, who didn't try to eat or destroy this one.

Wednesday, December 03, 2014

New book: Pattern Writing for Knit Designers

I’ve written another book. Yeah, I know! Another one.

This is a bit different. This isn’t a book for knitters – it’s a book for designers.

Announcing “Pattern Writing for Knit Designers” available for purchase as an e-book now , for $25. Buy Now (Paypal link - supports credits cards and PayPal.)

You can also buy through Patternfish here.

Printed copies will be available in the new year; if you buy the digital version first and wish to order a hard copy, I’ll give you a generous credit towards the price.

What’s it all about?

I’ve written the book that I wish existed before I became a knitter. I’ve created the resource that I wish existed before I became a designer. I’ve built the guide that I wish existed every day of my teaching career. I’ve delivered the manual that the designers I edit wish existed.

The goal of Pattern Writing for Knit Designers is to help designers write good knitting patterns.

When I was first learning to knit, I had some really terrible experiences because I was working with poor instructions; I very nearly gave up the craft. When I was first learning to design, I wrote some pretty terrible patterns; I’m sure that some knitters gave up working from my patterns. When I’m teaching, I see knitters struggle with weak instructions all the time. I find myself coaxing knitters off the “I can’t do this, I’m going to give it up” ledge.

Good pattern writing matters because we want knitters to keep knitting.

It’s easy to say that patterns should be good. But how to make that happen?

Designing and pattern writing are very different skills; being good at one doesn’t make you good at the other. Indeed, the skills needed for both rarely go together. The most skilled and creative designers have immensely imaginative minds and are gifted at spatial and free-form thinking; pattern writing requires order and logic and a detail orientation that doesn’t always come naturally to the creative mind. (Me, I definitely tend towards the order, logic and detail orientation. I’ve got a degree in math and spent many years working in documentations and communications in the software industry.)

This book is a guide to make pattern writing easier for all levels and types of designers.

It includes lots of concrete examples and a full downloadable template that you can use as a basis for your patterns. I discuss the big picture and the minutiae, e.g. the proper use of * to indicate repeats, the whys and wherefores of charts, and the full gory details on garment sizing, grading and measurements.

And don’t just take it from me! I’ve surveyed knitters of all levels on what they like to see in knitting patterns, and they are quoted throughout. I’ve spoken to professional photographers and layout experts on how to make your design and pattern look its best. And I’ve interviewed magazine editors to get tips on how to make your submissions and design proposals their best.

Cool stuff in the book!
  • Pattern Structure – what elements should a good pattern have
  • Pattern Elements – a detailed look at each element identified
  • The Actual Knitting Instructions – using knitting conventions and straightforward presentation to make a widely-understood pattern
  • Charts – when and how to make them
  • Grading & garment sizing – resources and guidelines 
  • Formatting and Layout – making a pattern visually user-friendly
  • The Process – how to go from test knitting to a final publication
  • Selling Online – platforms, processes, and good business practices
  • On Copyright – an introduction to these important laws

Monday, November 24, 2014

Doing the Math

A couple of weeks ago I ran a web seminar on the topic of Math for Knitters.

Topics I covered included:
  • Yarn shop math: how to make sure you're buying enough yarn for your project.
  • Pattern math: gauge math; repeats and how to deal with numbers-intensive instructions in your project, like "decrease five sts evenly across; and the dreaded 'Reversing Shapings' and 'At the Same Time'.
  • Project math: how to figure out how long it will take you to finish your project, how to figure out if you have enough yarn, how to figure out how long you can make your scarf.
It was recorded, and is available for your listening pleasure at any time.  Find it here, in the Interweave online store.

Math for Knitters Part Two runs Wednesday December 10th at 1pm EST.

In this session, I'll be diving deep into gauge, providing you a good understanding of what it's all about: why it matters, how to check, it, and what to do if you can't match it.

I'll talk about adjusting patterns for gauge: how to do it, and when not to. We'll talk about garment adjustments - how to easily modify a garment to improve the fit.

Although I know that I love the math, not everyone else does, so many of my solutions are about keeping the number-crunching to a minimum.

This session will make you a smarter shopper: I'll help you figure out how to choose patterns that are easiest to modify. And then I'll show you how to make those modifications to get exactly the result you want!

If you love math, this class is for you - I'll empower you to adjust and modify patterns to your needs! And if you don't love math, this class is for you - I'll show you how to avoid it as much as possible, while still making adjustments.

Register here. Again, it will be recorded so if you can't make it live you can listen to it later. And heck, even if you are able to listen to it live, you can listen again and again!

Wednesday, November 12, 2014

Math for Knitters: On Adjusting for Gauge

The first part of my Math for Knitters webseminar ran today. I think I solved some problems and answered my questions. I hope!

The second part runs next month.

In the second part, I tackle the topic of gauge and pattern adjustments. I know it's a topic of interest to many, and some the questions I got today confirmed that.

In short, the main one seems to be "I don't match gauge, so how can I adjust the pattern?" I find this question absolutely fascinating, on so many levels.

I remember asking it myself. And I've heard it many, many times, from other knitters. In short, the pattern is great, you've got some yarn you want to use, and they don't match.

As I got better at knitting, I figured out I could solve this problem: I could just use my math skills to recalculate the pattern. In essence, this is true. As I got better still, I figured out that it's actually not necessarily the simplest (or best) way to go about it.

I love math. I really do. I do Ken-Ken and Sudoku puzzles for fun. But I know that not everyone does.

Adjusting a pattern for gauge is simple enough for a scarf, but the minute there is shaping it gets significantly more difficult. (Sleeves: tricky. Sleeve caps: nightmarish.) Now, some of us enjoy this. And I definitely want to empower those of you who do enjoy this sort of thing and want to dig deeper.

But. But. Not everyone does want to go there.

I offer better solutions! Solutions that don't require you to become an expert in garment design. Solutions that get you knitting faster, and with a higher chance of success. Without giving too much away, it's all about choosing the right pattern... find a pattern that has solved the difficult problems for you, and then use some easy math to solve the simpler problems that remain.

Come, join my webseminar (details TBA, but it's Wednesday December 10th, 1pm EST) and see. The key to this is understanding which are the difficult problems and which are the easy ones. I share that with you, and I share how to solve those easy problems.

My approach is a little unusual, I know. But hey, remember the story about the American scientists spending millions of dollars to invent a pen that could write in zero gravity? The Russians just used a pencil.

Unusual, yes, but quicker, easier, and just as effective!

Saturday, November 08, 2014

My new cardigan & the lengths I go to to avoid placing buttonholes

I wrote all about it on the Knittyblog.

An out-take from the photoshoot.
Go look!

Wednesday, November 05, 2014

Math for Knitters Web seminar

Something else I hinted at recently: I'm doing a two-part Web seminar with Interweave on the topic of Math for Knitters.

The first session is next Wednesday, November 12th, at 1pm EST. You can attend live, or listen to a recording at your leisure after the fact. Attendees at the live session will be able to ask questions. (The prerecorded version will be made available for listening a few days after the live session.)

The first session is all about the math needed to successfully work a project:
We’ll equip you with the skills to handle any pattern, from ensuring you have enough yarn to being able to read, follow and decipher the instructions, including such challenges as "increase 12 stitches evenly distributed across the row," and “work decreases every sixth row 5 times, and every fourth row 12 times, and every following alt row.” We’ll also discuss clever tricks such as using a digital kitchen scale to help you use up your yarn stash, and to calculate how long you’ll need to finish up a project.

Rather than turning this into a boring high-school algebra class, I focus on easy tricks and solutions, working through some real-life examples to show you how it all comes together. I'll even give you some ways to avoid the numbers entirely if you don’t feel confident about them.

Math for Knitters part one is all about tools you’ll require to execute a pattern successfully. The second web seminar, to be held in December, will focus on gauge and pattern alterations and adjustments.

For more info, and to register, visit the Interweave store.

Saturday, November 01, 2014

Announcing the new book: Pattern Writing for Knit Designers

I've been talking about this obliquely for a while, but it's time to come clean. I've been working on a new book...Pattern Writing for Knit Designers. It's the culmination of my work as a a technical editor and my previous career as a product communications specialist in the technology industry.

The book is a guide to writing knitting patterns: how to translate your great knitting project into a set of instructions that any other knitter can follow.

I feel very strongly about the quality of knitting patterns: good pattern writing matters because we want knitters to keep knitting.

Aimed at emerging designers and knitters creating their own patterns, Pattern Writing for Knit Designers is the comprehensive guide that can help you translate your project into a set of instructions that any knitter can follow.

In my typical no-nonsense (but friendly!) way, I provide concrete guidelines with lots of examples on everything from pattern writing basics (what information needs to be in a knitting pattern), to schematics and charts (what they are, why you need them, and how to create them), to handling multiple sizes, establishing a personal style sheet, and more. The book addresses the details of how to create complete, clear and easy-to-use knitting patterns, for any type of design, and for any level of knitter.

With over ten years of experience as the Managing Technical Editor for, as well as tech editing for Annie Modesitt, Stephanie Pearl-McPhee, Laura Nelkin, Interweave magazines, Cooperative Press and Potter Craft, I've edited literally thousands of patterns for designers, yarn companies and publishers. I believe that my unique combination of skills and training (a degree in math and training in fashion design), and my 10+ years' experience as a knitting teacher across North America, offer a one-of-a-kind perspective on ways designers can improve their patterns to make knitters love them.

I provide concrete guidelines, with lots of examples, on topics including:
  • what information needs to be included in a knitting pattern
  • how to properly and clearly communicate sizing and measurement information
  • what schematics are, why you need them, and how to create them
  • how to use charts and written instructions to express special pattern stitches like cables and lace
  • stitch nomenclature (especially related to cables), abbreviations, and glossaries -how to handle multiple sizes and versions
  • use of brackets and * to indicate repeats
  • how to establish a personal style sheet 
And much, much more. So much more!

I discuss technical editing and test knitting – explain what they are how, why they’re important, and when they need to be done. I give tips for designers who wish to self-publish, and for those preparing submissions to a publication.
In addition, I provide two key resources: a master template – both in printed and digital form –and a master glossary and abbreviations list.

I'm proud of the book, and I'm very pleased to say that people are already saying great things about it.

This book is AWESOME. - Donna Druchunas

Kate Atherley's marvelous book is essential reading for any designer looking to create patterns that work well and sell well; and intriguing reading for any curious knitter who has ever wondered what goes into the creation of pattern. - Franklin Habit

If you are considering pattern writing, or want to become a knitter who understands how to read patterns more deeply, this book is for you. I certainly wish I had it when I was starting out! - Laura Nelkin

Kate is a fount of knowledge gained  from her years of experience tech editing pattern instructions and  working hands on with knitters of all levels. She is uniquely situated  in our industry, forming a bridge between designer and pattern user.  This book distills all of the information she has researched & is in  her head into a step-by-step check list of what we need to consider  when publishing our work. - Fiona Ellis

It will be available as an e-book December 2014.

Email address (required) 
I promise I will only use your email address once, to let you know when the book is available. Thanks for your interest!

Friday, October 31, 2014

Tempest giveaway winner

Comment #40.

Jlangt64 I will be in touch!