Sarah has finished a version of my Colour-Your-Own Baby Blanket in shades of green, for Oscar, the new baby of a very good friend of hers.
Sarah's a newer knitter, and she should be proud of this project - it's gorgeous!
Tuesday, August 31, 2010
FO: Oscar's Baby Blanket
Sarah has finished a version of my Colour-Your-Own Baby Blanket in shades of green, for Oscar, the new baby of a very good friend of hers.
Sarah's a newer knitter, and she should be proud of this project - it's gorgeous!
Friday, August 27, 2010
Further Progress
I'm pretty pleased with it. What you can't see is the two needles in it - one in the body, and one in the cowl neck. Both need to be longer, but I'm close.
I worked on this on a train trip today. It was clear that some of my fellow passengers were thinking it was odd that I was knitting, I could tell by their faces. And then I tried the sweater on - even stranger.
And then - horror of horrors - I spit-spliced two ends together. I was worried that someone was going to cite me for a health code violation.
I tried the sweater on again later, at our favourite coffee shop. At this point, it was about 8 inches long from the underarm - still pretty short. A woman at the next table was watching me... I smiled at her, and she asked me "Is that how it's going to look when it's done?"
I'm still not sure what she was getting at...
Thursday, August 26, 2010
Walking on Sunshine...
The third in my Rocker Chick Series for Van Der Rock Yarns, Walking on Sunshine will make you want sing lustily, check your mailbox and win the Eurovision song contest.
Using the most sunshiney of yellows, and fun wavy cables, this pattern will have you humming right through from cast-on to the toe.
Four-page full-colour PDF includes pattern for socks in three women's sizes, with tips for personalizing the fit.
Calls for 2 x 50g skeins of Van Der Rock Super Sock in Tartrazine.
Get more details and buy it here.
Check out Hollaback and Material Girl, the first two in the series...
All three will be on display and available at the K/W Fair.
Wednesday, August 25, 2010
Progress on the Top-Down Cowl Neck Vest
I remember, once upon a time, that I used to be shy about knitting in public.
In fact, I can remember very sheepishly taking some knitting to a baseball game about ten years ago, and trying to keep it hidden as I worked on it.
Ha! How things have changed - not only for me, but for baseball.
But now, not only do I shamelessly knit in public at every opportunity, but I will even go so far as to try on a work-in-progress.
Once the round was joined, I did a couple of increases for shaping at the front. I did consider some short-row shaping, but I realized that it would mess up my carefully aligned cables: There's a single cable running up both the front and the back, and as I had worked it out so that when I joined the body, the cables would be on the same row. If I added some short rows to the front, it would mean that I would work more rows in the front than the back, and the front and back cables wouldn't line up anymore. It's a minor detail, but the sort of thing that would bug me.
I've just decreased the extra stitches, and am now in the home stretch on the body.
I've also just finished a ball of yarn, so I plan to work on the neckline and armhole edgings next.
I'm keeping the original neckline - a big reverse stocking stitch cowl, but I'm going to experiment with the armholes. In the original, I picked up stitches all the way around and then cast off, just to tidy up and stabilize the edge. I'm going to try a crochet edging to see if that does what I want.
In fact, I can remember very sheepishly taking some knitting to a baseball game about ten years ago, and trying to keep it hidden as I worked on it.
Ha! How things have changed - not only for me, but for baseball.
But now, not only do I shamelessly knit in public at every opportunity, but I will even go so far as to try on a work-in-progress.
Once the round was joined, I did a couple of increases for shaping at the front. I did consider some short-row shaping, but I realized that it would mess up my carefully aligned cables: There's a single cable running up both the front and the back, and as I had worked it out so that when I joined the body, the cables would be on the same row. If I added some short rows to the front, it would mean that I would work more rows in the front than the back, and the front and back cables wouldn't line up anymore. It's a minor detail, but the sort of thing that would bug me.
I've just decreased the extra stitches, and am now in the home stretch on the body.
I've also just finished a ball of yarn, so I plan to work on the neckline and armhole edgings next.
I'm keeping the original neckline - a big reverse stocking stitch cowl, but I'm going to experiment with the armholes. In the original, I picked up stitches all the way around and then cast off, just to tidy up and stabilize the edge. I'm going to try a crochet edging to see if that does what I want.
Monday, August 23, 2010
Reworking the Cowl Vest, Top-Down; Bonus Pic of Dexter
Ah yes, the old "bathroom mirror" shots. But you know, I rather like the lighting... it's forgiving of the bags under my eyes.
A few days ago I wrote about wanting to recreate an old design of mine...
I've been working away on it, in what few minutes of knitting time I've been able to snatch between games of indoor fetch, and walks, and rope tug.
I've not actually changed the original design all that much up to now, other than to work it upside down. The neckline and armholes have remained the same, and I've even kept the same cable. I'm most amused, so far, that I was able to line up the cable so that I was at the same row when I joined for the body. Math is fun!
Now that I've joined for the body, however, I think I will do some tweaking - because a top-down design allows it. I'm going to add some bust and waist shaping, and I know I want it to be somewhat longer than the original.
And since I don't have tons of yarn to play with, I'm going to work the cowl neck and armhole edgings before I proceed.
I'm thinking I will write a tutorial on how I did this...
And here's the promised bonus picture of Dexter... No, he's not doing yoga, he's just having a good stretch.
A few days ago I wrote about wanting to recreate an old design of mine...
I've been working away on it, in what few minutes of knitting time I've been able to snatch between games of indoor fetch, and walks, and rope tug.
I've not actually changed the original design all that much up to now, other than to work it upside down. The neckline and armholes have remained the same, and I've even kept the same cable. I'm most amused, so far, that I was able to line up the cable so that I was at the same row when I joined for the body. Math is fun!
Now that I've joined for the body, however, I think I will do some tweaking - because a top-down design allows it. I'm going to add some bust and waist shaping, and I know I want it to be somewhat longer than the original.
And since I don't have tons of yarn to play with, I'm going to work the cowl neck and armhole edgings before I proceed.
I'm thinking I will write a tutorial on how I did this...
And here's the promised bonus picture of Dexter... No, he's not doing yoga, he's just having a good stretch.
Saturday, August 21, 2010
James Norbury's The Family Knitting Book/Hardcore/This Could Have Been Me
I was recently given a truly wonderful gift by a student of mine, C.
She mentioned in passing that she had some vintage knitting books. I'll jump at any opportunity to rummage through book collections. I love all vintage knitting books - whether for humor value, design inspiration value, or educational value. I'll happily take and read any knitting book, of any era and quality. (Which is how I ended up with a copy of "Knitting With Dog Hair" in my collection, but that's a story for different day.)
When rummaging through a collection, there are a few key names I'm always looking for; a few key designers and authors whose fabulous books are long out-of-print and very hard to find.
Alice Starmore used to be in this category, but her books are being reprinted one-by-one, thank goodness. But two authors remain sadly unreprinted: June Hiatt (specifically, her encyclopedic "The Principles of Knitting"), and James Norbury.
Used copies of the Hiatt book sells for hundreds of dollars, and is treasured by serious knitters. It's -- apparently -- one of the best reference books out there. I've never actually had my hands on a copy, which saddens me. (If anyone has one they'd be willing to lend/rent to me, let me know!) If it's as good as they say, I'd be up for buying a copy, but I feel like I'm not going to spend that much money without knowing what I'm getting. I have heard from reliable sources that Ms. Hiatt is working on a new edition, but she is very thorough and it's taking longer than anticipated.
James Norbury's works are less sought after, but just as wonderful. He was a prolific designer and author, and even had his own BBC television series. He was an opinionated sort (not that that is a bad thing ;-) ), and insisted that there was a right way and wrong way for everything.
When I mentioned Norbury's name, C. said she thought she might have a book of his. Indeed she did - specifically his 1969 book, The Family Knitting Book. It's an all-in-one book, featuring patterns, instructional material, and a small stitch library.
C. very generously gave it to me.
The patterns are terrific - many of them timeless classics, although the styling and photography is very much of its time.
And I'm loving the educational material at the front: he starts, naturally enough, with casting on. And the first cast on he shows in the Long Tail method. That's before knitters have even worked a single stitch.
The Long-Tail cast on (although he calls it the Thumb Method) is on page 15. How to actually knit a stitch is shown on page 20. I know that in a book you have to show casting off before you get to knitting, but I love that he chooses the Long Tail cast on as the first one you should learn.
(Click to embiggen and read the page.)
I'm on his side on this - I strongly believe that the long-tail is the best all-purpose cast-on - but when teaching beginners I do tend to start with something a little... err... gentler.
I love this book for two other reasons: James Norbury was born and lived around the corner from where I was born, and where my grandmother Hilda lived, and I'm quite certain she would have had some of his books, and likely would have knitted some of his designs. And give nthat this book was published the year I was born, I have the distinct sense that I may well have worn some of the babies' designs.
Yes, this could have been me....
She mentioned in passing that she had some vintage knitting books. I'll jump at any opportunity to rummage through book collections. I love all vintage knitting books - whether for humor value, design inspiration value, or educational value. I'll happily take and read any knitting book, of any era and quality. (Which is how I ended up with a copy of "Knitting With Dog Hair" in my collection, but that's a story for different day.)
When rummaging through a collection, there are a few key names I'm always looking for; a few key designers and authors whose fabulous books are long out-of-print and very hard to find.
Alice Starmore used to be in this category, but her books are being reprinted one-by-one, thank goodness. But two authors remain sadly unreprinted: June Hiatt (specifically, her encyclopedic "The Principles of Knitting"), and James Norbury.
Used copies of the Hiatt book sells for hundreds of dollars, and is treasured by serious knitters. It's -- apparently -- one of the best reference books out there. I've never actually had my hands on a copy, which saddens me. (If anyone has one they'd be willing to lend/rent to me, let me know!) If it's as good as they say, I'd be up for buying a copy, but I feel like I'm not going to spend that much money without knowing what I'm getting. I have heard from reliable sources that Ms. Hiatt is working on a new edition, but she is very thorough and it's taking longer than anticipated.
James Norbury's works are less sought after, but just as wonderful. He was a prolific designer and author, and even had his own BBC television series. He was an opinionated sort (not that that is a bad thing ;-) ), and insisted that there was a right way and wrong way for everything.
When I mentioned Norbury's name, C. said she thought she might have a book of his. Indeed she did - specifically his 1969 book, The Family Knitting Book. It's an all-in-one book, featuring patterns, instructional material, and a small stitch library.
C. very generously gave it to me.
The patterns are terrific - many of them timeless classics, although the styling and photography is very much of its time.
And I'm loving the educational material at the front: he starts, naturally enough, with casting on. And the first cast on he shows in the Long Tail method. That's before knitters have even worked a single stitch.
The Long-Tail cast on (although he calls it the Thumb Method) is on page 15. How to actually knit a stitch is shown on page 20. I know that in a book you have to show casting off before you get to knitting, but I love that he chooses the Long Tail cast on as the first one you should learn.
(Click to embiggen and read the page.)
I'm on his side on this - I strongly believe that the long-tail is the best all-purpose cast-on - but when teaching beginners I do tend to start with something a little... err... gentler.
I love this book for two other reasons: James Norbury was born and lived around the corner from where I was born, and where my grandmother Hilda lived, and I'm quite certain she would have had some of his books, and likely would have knitted some of his designs. And give nthat this book was published the year I was born, I have the distinct sense that I may well have worn some of the babies' designs.
Yes, this could have been me....
Tuesday, August 17, 2010
Wheatsheaf Shawl and Double Diamond Stole; Making Lace Accessible
Bit behind on this one... I've had two lace designs published in recent issues of Yarn Forward Magazine.
The Wheatsheaf Shawl was featured in Issue 28, and it's specifically written to be accessible even for a non-lace knitter. I spent a lot of time considering the elements that make lace challenging, and figuring out how to address them in the design and the pattern. It's only a two-row pattern repeat for the basic last stitch, and one of them is a plain purl row! Easy-peasy! And I wrote out how to incorporate the increases into the lace stitch in detail.
And last but not least, I did something a little different in the centre spine... Most top-down lace shawls have an innocent-looking central spine of yo, k1, yo... Seems simple enough, but it's actually very difficult to work for a knitter who's not confident with yarnover increases. You can't reliably place a marker, as the yarnovers can get wrapped around them, and the marker can end up in the wrong place. And if the yarnover travels, the central spine goes horribly awry. I see this a lot in my classes. The knitter can be doing everything right, but a slipped marker can make things go horribly wrong! So I changed up the central spine to be 2 stitches: yo, k2, yo. It looks just as good, but allows you to safely and confidently place a marker. And I think it looks good too - it harmonizes very well with the edgings. I'm not sure why it's not more common, to be honest. It seems like a simple and elegant solution to a vexing problem.
ElectroGirl has posted a finished Wheatsheaf shawl on Ravelry and I love it. Great choice of yarn, and she did a terrific job of both knitting and photographing it.
The writeup has lots of hints and tips to make lace knitting easy and fun - and ideally get knitters hooked so that they will consider other projects - like the Double Diamond Stole, for example!
The Double Diamond Stole in Issue 29 is a great next step. See a picture at this preview.
It's an easy-to-manage but very rewarding and beautiful project. It's worked in cashmere from ColourMart - my god, I loved working with this yarn. It adds a small level of challenge in that there are a few different patterns rows and a decrease that might be new to some knitters, but it's still entirely approachable for all skill levels. Yarn Forward was generous enough to provide me enough space to be able to include a really detailed pattern writeup to guide knitters through the project. There are both written instructions and charts, so that knitters who prefer one over the other are accommodated.
Can't wait to see the projects on Ravelry!
The Wheatsheaf Shawl was featured in Issue 28, and it's specifically written to be accessible even for a non-lace knitter. I spent a lot of time considering the elements that make lace challenging, and figuring out how to address them in the design and the pattern. It's only a two-row pattern repeat for the basic last stitch, and one of them is a plain purl row! Easy-peasy! And I wrote out how to incorporate the increases into the lace stitch in detail.
And last but not least, I did something a little different in the centre spine... Most top-down lace shawls have an innocent-looking central spine of yo, k1, yo... Seems simple enough, but it's actually very difficult to work for a knitter who's not confident with yarnover increases. You can't reliably place a marker, as the yarnovers can get wrapped around them, and the marker can end up in the wrong place. And if the yarnover travels, the central spine goes horribly awry. I see this a lot in my classes. The knitter can be doing everything right, but a slipped marker can make things go horribly wrong! So I changed up the central spine to be 2 stitches: yo, k2, yo. It looks just as good, but allows you to safely and confidently place a marker. And I think it looks good too - it harmonizes very well with the edgings. I'm not sure why it's not more common, to be honest. It seems like a simple and elegant solution to a vexing problem.
ElectroGirl has posted a finished Wheatsheaf shawl on Ravelry and I love it. Great choice of yarn, and she did a terrific job of both knitting and photographing it.
The writeup has lots of hints and tips to make lace knitting easy and fun - and ideally get knitters hooked so that they will consider other projects - like the Double Diamond Stole, for example!
The Double Diamond Stole in Issue 29 is a great next step. See a picture at this preview.
It's an easy-to-manage but very rewarding and beautiful project. It's worked in cashmere from ColourMart - my god, I loved working with this yarn. It adds a small level of challenge in that there are a few different patterns rows and a decrease that might be new to some knitters, but it's still entirely approachable for all skill levels. Yarn Forward was generous enough to provide me enough space to be able to include a really detailed pattern writeup to guide knitters through the project. There are both written instructions and charts, so that knitters who prefer one over the other are accommodated.
Can't wait to see the projects on Ravelry!
Thursday, August 12, 2010
Ready for Sweater Weather
Even when I was a teenager, long before I was the avid knitter I am now, the middle of August would find me longing for "sweater weather".
This year the craving is stronger than it's ever been. Between the insanely hot summer we've had, and my proximity to all these stunning fall yarns, I'm absolutely ready for summer to be over.
Now, I'm not crazy. I'm not yet ready for full-on jackets and sleeves and mitts and boots and all that nonsense, but I'm definitely starting to feel vest-y. I've got some really great (sadly also discontinued) Harris Chunky Rowan yarn in my stash...
and it's screaming out to be made into something for those first few crisp days of fall.
I bought the yarn from the bargain bin at the Sheep a while ago with a specific project in mind; it's just been waiting for a slot to open up in my schedule so I could actually knit with it.
As to what I'm going to do with it... I have a pretty firm idea.
Back when The Naked Sheep first opened, I designed a vest for the shop in the newly released Rowan Plaid. The yarn is now discontinued, and it's a shame. It was a good one: a not too weighty chunky yarn, with nice colour combos, and a great hand. It was a blend of wool, alpaca and acrylic, so it was warm but light.
The vest itself was very simple - worked in reverse stocking stitch, with a single cable running up one side, and with a cowl neck.
The sample is long gone, too... I believe it may have moved to B.C. with the old shop owner, Lorena. I know she used to wear it. (That's the ultimate compliment that can be paid to a sample you've knitted for a shop - finding the owner wearing it!)
In fact, she's wearing it in this picture...
I want to recreate the vest so I get to wear it this time!
Of course, I can't leave well enough alone... this 2010 version will be worked from the top-down so that I can make it a bit longer. I don't have tons of yardage, and this way I'll be able to use up every last bit. The new yarn is a bit more textured than the original, so I think it requires a slightly larger scale cable, too.
I'm desperate to get going, but there is the small matter of the sock project I need to finish first...
This year the craving is stronger than it's ever been. Between the insanely hot summer we've had, and my proximity to all these stunning fall yarns, I'm absolutely ready for summer to be over.
Now, I'm not crazy. I'm not yet ready for full-on jackets and sleeves and mitts and boots and all that nonsense, but I'm definitely starting to feel vest-y. I've got some really great (sadly also discontinued) Harris Chunky Rowan yarn in my stash...
and it's screaming out to be made into something for those first few crisp days of fall.
I bought the yarn from the bargain bin at the Sheep a while ago with a specific project in mind; it's just been waiting for a slot to open up in my schedule so I could actually knit with it.
As to what I'm going to do with it... I have a pretty firm idea.
Back when The Naked Sheep first opened, I designed a vest for the shop in the newly released Rowan Plaid. The yarn is now discontinued, and it's a shame. It was a good one: a not too weighty chunky yarn, with nice colour combos, and a great hand. It was a blend of wool, alpaca and acrylic, so it was warm but light.
The vest itself was very simple - worked in reverse stocking stitch, with a single cable running up one side, and with a cowl neck.
The sample is long gone, too... I believe it may have moved to B.C. with the old shop owner, Lorena. I know she used to wear it. (That's the ultimate compliment that can be paid to a sample you've knitted for a shop - finding the owner wearing it!)
In fact, she's wearing it in this picture...
I want to recreate the vest so I get to wear it this time!
Of course, I can't leave well enough alone... this 2010 version will be worked from the top-down so that I can make it a bit longer. I don't have tons of yardage, and this way I'll be able to use up every last bit. The new yarn is a bit more textured than the original, so I think it requires a slightly larger scale cable, too.
I'm desperate to get going, but there is the small matter of the sock project I need to finish first...
Thursday, August 05, 2010
Monday, August 02, 2010
Finishing: Very Helpful Links
It's no secret that I have strong opinions to share on finishing.
Good finishing makes all the difference in a project. Good finishing techniques make a project look,... well... finished.
I know it's not necessarily the most fun part of a knitting project. It's sort of like ironing your cotton clothes, however - a necessary step to make something look its best.
And I know that a lot of knitters don't feel confident about finishing. I can't say I blame them - it's not well explained in the patterns or books in general. The average pattern will say something helpful like "sew up", or "assemble", or - my favourite - "set in sleeves". And it's not necessarily covered in sufficient detail in the books, either.
But as I prove every time I teaching a finishing class, taking time to use proper seaming techniques is absolutely 100% worth it.
A proper seam is smooth, tidy and invisible.
Here, let me show you...
Seamed using the techniques you would normally use to seam fabric:
Seamed using Mattress stitch:
What do you think?
Proper seaming techniques aren't difficult - but I do find they simply aren't well known. Even very skilled and experienced knitters don't necessarily know how to seam a good seam.
I learned many of my techniques from my bible, Vogue Knitting. And I recently discovered that their Knit Simple publication's website has a lot of helpful info - including a page of info about some of the key seaming techniques.
And as usual, Theresa provides an incredibly helpful how-to on Knitty.
Go! Check them out! Key information! Seriously! These won't necessarily make Finishing more fun, but they will certainly help you make it easier and better.
Good finishing makes all the difference in a project. Good finishing techniques make a project look,... well... finished.
I know it's not necessarily the most fun part of a knitting project. It's sort of like ironing your cotton clothes, however - a necessary step to make something look its best.
And I know that a lot of knitters don't feel confident about finishing. I can't say I blame them - it's not well explained in the patterns or books in general. The average pattern will say something helpful like "sew up", or "assemble", or - my favourite - "set in sleeves". And it's not necessarily covered in sufficient detail in the books, either.
But as I prove every time I teaching a finishing class, taking time to use proper seaming techniques is absolutely 100% worth it.
A proper seam is smooth, tidy and invisible.
Here, let me show you...
Seamed using the techniques you would normally use to seam fabric:
Seamed using Mattress stitch:
What do you think?
Proper seaming techniques aren't difficult - but I do find they simply aren't well known. Even very skilled and experienced knitters don't necessarily know how to seam a good seam.
I learned many of my techniques from my bible, Vogue Knitting. And I recently discovered that their Knit Simple publication's website has a lot of helpful info - including a page of info about some of the key seaming techniques.
And as usual, Theresa provides an incredibly helpful how-to on Knitty.
Go! Check them out! Key information! Seriously! These won't necessarily make Finishing more fun, but they will certainly help you make it easier and better.
Tuesday, July 27, 2010
Basic Triangle Shawl FOs; Creativ Festival Classes
A couple of weeks ago I published my Basic Triangle Shawl pattern.
SheepLady75 on Ravelry has created an absolutely stunning one in her rainbow-coloured handspun. I am blown away by how the colours progress and work so well with the shape. And Mom2Bassets has worked one in a very sophisticated and chic colourway of Mushishi.
Wow - they're both great! This is precisely the sort of thing I imagined when I created it - a great use for a coloured or textured yarn, and a great TV or travel knitting project.
On a different note, the schedule for Creativ Festival has just been released, and I'm teaching a number of classes. The event takes place October 23, 24 & 25th at the Metro Convention Centre in Toronto.
Sunday, July 25, 2010
Update: No-one Looking for the Little Guy
So he's staying here, and he seems to like it.
And we like it very much.
We're calling him Dexter. If a family calls, and can prove he belongs with them, he can go. Failing that, we're his family now.
Wednesday, July 21, 2010
Two Non-Knitting Things Keeping Me Busy This Week
Am taking a sewing class at The Workroom in Toronto. It's a day camp for grownups for the week - complete with candy and treats.
It's a Amy Butler shirtdress project - if you've seen me around this summer, you know how much I love wearing shirtdresses - and as soon as I saw it advertised I had to sign up.
It's a fun group, and it's great to stretch my sewing skills - I don't do it nearly often enough.
The other thing that's keeping us busy is this little guy:
He was found by a neighbour in her yard on Friday, and we've been busy working with our neighbours taking care of him, and trying to find his family. He's a sweetheart, he really is, and we're sure that somewhere there is a family missing him very much. He has no chip, and no tags on his collar, so there was absolutley no info about who he is or where he came from. We've posted at the Humane Society and with City Animal Services; we've been using Twitter and Facebook and Craigslist. We've searched classified ads in all the local papers. We've emailed all the vets in the area, and we're postering.
We're also making sure he feels safe and taken care of - making sure he's not alone, and he's fed and healthy.
No news, so far. It's a heartbreaker, the idea that there is a family somewhere without their little guy. And if there isn't someone looking for him, it's a heartbreaker in a different way. We will keep looking - we're carrying posters further afield today.
If you know who he might be, or you're willing to put a poster in your neighbourhood in Toronto, please email founddog@wilnervision.com.
It's a Amy Butler shirtdress project - if you've seen me around this summer, you know how much I love wearing shirtdresses - and as soon as I saw it advertised I had to sign up.
It's a fun group, and it's great to stretch my sewing skills - I don't do it nearly often enough.
The other thing that's keeping us busy is this little guy:
He was found by a neighbour in her yard on Friday, and we've been busy working with our neighbours taking care of him, and trying to find his family. He's a sweetheart, he really is, and we're sure that somewhere there is a family missing him very much. He has no chip, and no tags on his collar, so there was absolutley no info about who he is or where he came from. We've posted at the Humane Society and with City Animal Services; we've been using Twitter and Facebook and Craigslist. We've searched classified ads in all the local papers. We've emailed all the vets in the area, and we're postering.
We're also making sure he feels safe and taken care of - making sure he's not alone, and he's fed and healthy.
No news, so far. It's a heartbreaker, the idea that there is a family somewhere without their little guy. And if there isn't someone looking for him, it's a heartbreaker in a different way. We will keep looking - we're carrying posters further afield today.
If you know who he might be, or you're willing to put a poster in your neighbourhood in Toronto, please email founddog@wilnervision.com.
Friday, July 16, 2010
Secret Knitting: Not Very Exciting
I've just finished a big Secret Knitting Project. Secret Knitting Projects are those that are meant for publication...
Secret Knitting Projects make for terrible blog fodder. We can't show them off, you see. They are Secret!
You've seen hints of it, in various photos of late.
Secret Knitting has spent hours on the bench in our yard, enjoying the sunshine.
Secret Knitting went to Coney Island.
Secret Knitting has enjoyed with me an iced coffee or twelve.
Secret Knitting has ridden the streetcar, back and forth across Toronto, many times. Secret Knitting got caught in a G20-related TTC stoppage.
Secret Knitting has been around, it's true. It's a big project. By yardage, it's one of the largest projects I've ever worked. It's a fine yarn, so it wasn't too big to carry around until the final stages. But it is a warm yarn - cashmere - so there were days when it was a challenging project to work in public in this hottest of hot summers.
And now, Secret Knitting is in a puffy envelope, making its way to a Secret Location for photography.
I'm proud of this one, and can't wait to show it off when the time comes.
Fly safe, Secret Knitting - I look forward to your eventual return home!
Secret Knitting Projects make for terrible blog fodder. We can't show them off, you see. They are Secret!
You've seen hints of it, in various photos of late.
Secret Knitting has spent hours on the bench in our yard, enjoying the sunshine.
Secret Knitting went to Coney Island.
Secret Knitting has enjoyed with me an iced coffee or twelve.
Secret Knitting has ridden the streetcar, back and forth across Toronto, many times. Secret Knitting got caught in a G20-related TTC stoppage.
Secret Knitting has been around, it's true. It's a big project. By yardage, it's one of the largest projects I've ever worked. It's a fine yarn, so it wasn't too big to carry around until the final stages. But it is a warm yarn - cashmere - so there were days when it was a challenging project to work in public in this hottest of hot summers.
And now, Secret Knitting is in a puffy envelope, making its way to a Secret Location for photography.
I'm proud of this one, and can't wait to show it off when the time comes.
Fly safe, Secret Knitting - I look forward to your eventual return home!
Wednesday, July 14, 2010
Free Pattern: Basic Triangle Shawl - Non-Lacy, Very Easy
I love a top-down triangle shawl, but I don't always want to knit lace. A plainer shawl is much more suited to wearing with a parka in the depths of winter, and is much easier to knit.
This is an ideal first shawl project for a newer knitter, or a relaxing knit for an experienced knitter. Shaped from the top down, it uses the "kfb" increase and markers to help you on your way, and it's a great introduction to the top-down triangle construction.
If you're not sure about yarnovers - or just not wanting lace - this is the shawl for you!
A PDF version is available on Ravelry.
FINISHED MEASUREMENTS
Approximately 136 cm/54 inches wide x 21 inches/54 cm long after blocking.
MATERIALS
2 x 50gm balls Rowan Felted Tweed (50% Merino, 25% Alpaca, 25% Viscose, 175m/ball) -sample uses colour 150
-substitute 350m of any worsted weight yarn - e.g. Cascade 220 or Noro Kureyon
4.5mm needles - a 24 inch/60 cm circular is easiest, butyou can use straight needles if you prefer
a single 6mm needle for casting off
a stitch marker
GAUGE
approximately 16 sts and 26 rows = 4 ins by 4 ins/10 cm by 10 cm in stocking stitch
it's not critical for this project - what's most important is that you like how the fabric looks & feels
METHOD
Top Edge
The top edge is established in garter stitch.
With 4.5mm needle, cast on 9 sts. Use the long tail or the cable cast on. (These are links to videos on knittinghelp.com for these cast-on methods.)
Row 1 (RS): Kfb, k2, kfb twice, k2, kfb, k1. 13 sts.
Row 2 (WS): Knit.
Row 3 (RS): Kfb, k4, kfb twice, k4, kfb, k1. 17 sts.
Row 4 (WS): Knit.
Row 5 (RS): Kfb, k6, kfb twice, k6, kfb, k1. 21 sts.
Row 6 (WS): K11, place marker on the right-hand needle, k10.
To work the kfb increase: Knit into the front of the stitch as normal, pulling the yarn through, but leave the stitch on the left-hand needle. Put the point of the right-hand needle into the back loop of the stitch, and knit that. Pull the yarn through and slip the stitch off the left needle. 2 sts where there used to be one.
Knittinghelp.com has a great video here.
Body
The body is worked in a 8-row pattern. On each RS row, 4 increases are worked - one at each end, and two in the middle. The placement of the increases is what makes the shape - the increases in the middle push the rows out sideways, on an angle. The marker helps you keep track of where to do those increases.
Row 1 (RS): K3, kfb, k to 1 st before centre marker, kfb, slip marker, kfb, k until 5 sts rem, kfb, k4.
Row 2 (WS): K4, p to last 4 sts, k4.
Repeat rows 1 & 2 twice more.
Row 7 (RS): K3, kfb, k to 1 st before centre marker, kfb, slip marker, kfb, k until 5 sts rem, kfb, k4.
Row 8 (WS): K all sts.
Repeat the above 8 rows until you're almost out of yarn, ending after a Row 8.
Lower Edge
You'll work a few rows of garter stitch and then cast off.
Ensure RS is facing. Knit 5 rows. WS will be facing. Using the 6mm needle in your right hand, cast off knitways.
Tip: Using the larger needle for the cast-on ensures your stiches are loose and even. It's actually very hard to get a loose cast-on using the same size needles you knit with. This is actually a good idea for all your knitting.
Finishing
Soak the finished shawl in lukewarm water for 10 or 15 minutes. Roll in a towel or if the yarn is machine washable, run through the spin cycle of your washing machine to wring it out. Stretch it out and pin the three corners to your laundry rack, or a mattress, or blocking mats, or towels on the floor and leave to air dry. This step is important to make your shawl look its best!
Monday, July 12, 2010
Figuring Out What Does Work
I've talked here about particular styles and fits that do and don't work for my particular body type.
I'm often asked by knitters how to figure this out for themselves - every body is different, and everyone looks good in different things.
I highly recommend three general steps, and one very specific...
1) Measure yourself, and figure out what shape your body actually is. You probably instinctively know some key facts already - collect your dressing rooms experiences. Me, I knew for a long time that I could never find a blouse that fitted me well in the shoulders yet actually buttoned up. What this means is that my bust is larger than is typical for someone of my frame size. Do you find that you often need a different size bottom than top in suits, for example? Do you find that things fit you well in the hips but the waist is too tight or loose? No judgments from me or anyone else on these matters - it's not about numbers or fashion magazine sizing - it's about knowing yourself and knowing how to take advantage of your shape to look your best.
2) Get your hands on a copy of Maggie Righetti's book "Sweater Design in Plain English". The author spends a lot of time describing and categorizing different body shapes, and discussing shapes and styles that work for those shapes. It's a terrific book, whether you wish to actually design a sweater or not. Many of the books of the "what not to wear" ilk would help with this, too. Maggie's book is best as it focuses specifically on knitwear, but you can learn a lot from a book like Clinton Kelly & Stacey London's "Dress Your Best", or Trinny & Susannah's "What Not to Wear: The Rules"
3) Go shopping! (And Sherri suggests you do this on a hot day so you can enjoy the air conditioning in the mall...) Go try things on. Be respectful of the garments and the shops, of course, but try on as many things as you can. Try on things you like, and try on things you don't like, or wouldn't normally wear. This isn't about colour, it's about style and shape. Be honest with yourself: can you move in the style? Do all the key elements lie flat and aren't straining? Is everything even, or are certain areas too loose while others are too tight? Take an honest friend with you, if you can, to provide feedback. Or take pictures of yourself. Focus on necklines and armhole/sleeve/shoulder shapes - those are the key factors. Try on different necklines. Try on different shoulder & sleeve constructions. Set in sleeves work for me, for example, because I'm petite and narrow in the shoulders... if I wear something that's a too loose in the shoulders, the overall effect is that I'm a little kid wearing my big brother's clothes. A broader shouldered friend looks better in a raglan because there is typically more space in both the shoulders and underarms. Once you've identified neckline/shoulder/sleeve shapings, then look at lengths and overall shapes - straight, shaped, a-lines, and see how you like them and what works best for you.
4) And when you're considering a specific pattern, go look at Ravelry. Ravelry is an amazing resource for knitters, as you can see the completed projects on other knitters of all shapes and sizes. Find someone who is roughly your shape and see how it looks on them.
I'm often asked by knitters how to figure this out for themselves - every body is different, and everyone looks good in different things.
I highly recommend three general steps, and one very specific...
1) Measure yourself, and figure out what shape your body actually is. You probably instinctively know some key facts already - collect your dressing rooms experiences. Me, I knew for a long time that I could never find a blouse that fitted me well in the shoulders yet actually buttoned up. What this means is that my bust is larger than is typical for someone of my frame size. Do you find that you often need a different size bottom than top in suits, for example? Do you find that things fit you well in the hips but the waist is too tight or loose? No judgments from me or anyone else on these matters - it's not about numbers or fashion magazine sizing - it's about knowing yourself and knowing how to take advantage of your shape to look your best.
2) Get your hands on a copy of Maggie Righetti's book "Sweater Design in Plain English". The author spends a lot of time describing and categorizing different body shapes, and discussing shapes and styles that work for those shapes. It's a terrific book, whether you wish to actually design a sweater or not. Many of the books of the "what not to wear" ilk would help with this, too. Maggie's book is best as it focuses specifically on knitwear, but you can learn a lot from a book like Clinton Kelly & Stacey London's "Dress Your Best", or Trinny & Susannah's "What Not to Wear: The Rules"
3) Go shopping! (And Sherri suggests you do this on a hot day so you can enjoy the air conditioning in the mall...) Go try things on. Be respectful of the garments and the shops, of course, but try on as many things as you can. Try on things you like, and try on things you don't like, or wouldn't normally wear. This isn't about colour, it's about style and shape. Be honest with yourself: can you move in the style? Do all the key elements lie flat and aren't straining? Is everything even, or are certain areas too loose while others are too tight? Take an honest friend with you, if you can, to provide feedback. Or take pictures of yourself. Focus on necklines and armhole/sleeve/shoulder shapes - those are the key factors. Try on different necklines. Try on different shoulder & sleeve constructions. Set in sleeves work for me, for example, because I'm petite and narrow in the shoulders... if I wear something that's a too loose in the shoulders, the overall effect is that I'm a little kid wearing my big brother's clothes. A broader shouldered friend looks better in a raglan because there is typically more space in both the shoulders and underarms. Once you've identified neckline/shoulder/sleeve shapings, then look at lengths and overall shapes - straight, shaped, a-lines, and see how you like them and what works best for you.
4) And when you're considering a specific pattern, go look at Ravelry. Ravelry is an amazing resource for knitters, as you can see the completed projects on other knitters of all shapes and sizes. Find someone who is roughly your shape and see how it looks on them.
Saturday, July 10, 2010
Another New Sock Design: Hollaback Sock
The second in my Rocker Chick series for van der rock yarns, I present the Gwen Stefani- inspired Hollaback sock....
Rock on, sock knitters...
More details and the pattern available here.
Rock on, sock knitters...
More details and the pattern available here.
Friday, July 09, 2010
Pamela Wynne is a mensch; I am not
As I mentioned yesterday, I'm interviewed in Shannon Okey's wonderful new book, The Knitgrrl Guide to Professional Knitwear Design.
Shannon interviewed me by email... we've worked together a few times, and it was a long and fun email conversation, and I was my usual candid, opinionated self. Shannon printed many of my comments verbatim.
Rereading it now, I realize that my intended tone doesn't come through in print at all... it reads to me like I'm cranky and bitchy.
In the interview I criticize another designer's work, and name names. And that's not fair or professional.
The design in question is a top-down raglan, and my personal struggles with those are well known. I cannot wear a top-down raglan - seriously wrong shoulder/bust ratio to make it work. To make it fit around my bust, it gets (much) too big in the shoulders and armholes.
When talking about challenges with finding a garment that fits your own body well, I cited this sweater as an example of a sweater that had fit challenges. What comes through in print is that I think the sweater is bad. Not at all true - it's just bad for me.
As soon as I realized how it read in the book, I contacted the designer in question, Pamela Wynne, to apologize. She was gracious and kind in return, and I'm very grateful for that.
One more lesson learned from Shannon's book - to remember that tone doesn't come across in print, and that anything may be reproduced out of context.
Shannon interviewed me by email... we've worked together a few times, and it was a long and fun email conversation, and I was my usual candid, opinionated self. Shannon printed many of my comments verbatim.
Rereading it now, I realize that my intended tone doesn't come through in print at all... it reads to me like I'm cranky and bitchy.
In the interview I criticize another designer's work, and name names. And that's not fair or professional.
The design in question is a top-down raglan, and my personal struggles with those are well known. I cannot wear a top-down raglan - seriously wrong shoulder/bust ratio to make it work. To make it fit around my bust, it gets (much) too big in the shoulders and armholes.
When talking about challenges with finding a garment that fits your own body well, I cited this sweater as an example of a sweater that had fit challenges. What comes through in print is that I think the sweater is bad. Not at all true - it's just bad for me.
As soon as I realized how it read in the book, I contacted the designer in question, Pamela Wynne, to apologize. She was gracious and kind in return, and I'm very grateful for that.
One more lesson learned from Shannon's book - to remember that tone doesn't come across in print, and that anything may be reproduced out of context.
Mad for Plaid
Introducing Mad for Plaid, my latest sock design published in the new Knitty - the First Fall issue.
I had fun playing with colours for this design...
It's an easy and approachable sock construction, top-down, band heel, nothing fancy going on. Very knittable as a first sock project. What makes it special is some not-too-challenging colourwork that creates a clever tartan sort of effect... it's mostly easy horizontal stripes, with four 1-stitch wide vertical stripes.
And of course, I did a left and a right sock - and I mixed up the colours. These four socks were knitted with 4 50gm skeins of sock yarn - all the same colours, just positioned differently. You can work a pair exactly the same, but I'm not that sort of girl...
I had fun playing with colours for this design...
It's an easy and approachable sock construction, top-down, band heel, nothing fancy going on. Very knittable as a first sock project. What makes it special is some not-too-challenging colourwork that creates a clever tartan sort of effect... it's mostly easy horizontal stripes, with four 1-stitch wide vertical stripes.
And of course, I did a left and a right sock - and I mixed up the colours. These four socks were knitted with 4 50gm skeins of sock yarn - all the same colours, just positioned differently. You can work a pair exactly the same, but I'm not that sort of girl...
Thursday, July 08, 2010
The Knitgrrl Guide to Professional Knitwear Design: Book Review
Shannon, the world of knitting thanks you.
Good lord, this book is a marvel. I agree wholeheartedly with all the glowing reviews out there.
For me, it's worth every penny just for Appendix B, the Book Proposal Template. The interviews with other knit design professionals are utterly inspiring and illuminating - while being brutally honest about the challenges of working in knitting. The book is full of well-articulated, clear and reasonable advice for anyone in the knitwear industry. She covers everything - not just the knitterly stuff like writing patterns and including schematics, but detailed advice on marketing, sales and legal topics.
Her style is friendly and accessible, while being realistic and balanced. Lots of concrete and relevant examples underline her messages and guide the reader's thinking and learning.
Last but not least, Shannon covers a topic very close to my heart: she provides a very clear argument for using technical editors.
This book is the best mentor I've ever had - and I didn't even need to take it out for lunch.
If you want to publish a pattern, read this book. If you want to write a book, read this book. If you want to work in the knitwear industry - as a designer, yarn shop employee, editor, writer, knitter - read this book.
Just read the book! Even someone who considers themselves to be "just a knitter" will find much to enjoy in the interviews with designers... Shannon talks to all the names we know and love - my friends Amy and Jillian are there, as is one of my personal heroes, Annie Modesitt, and the wonderful designer Louisa Harding, and so many others... I won't reproduce the full list, but every single one of them is worth reading. Shannon gathered designers and professionals of all levels, styles, backgrounds and opinions.
(I promise you, I'm not saying all this because I'm quoted in the book. In fact, it was day three of reading and loving it before I realized I was... ) Perhaps the best recommendation of all is that as soon as it arrived, I turned to the section that provides information on something I'm working on right now, and starting using Shannon's suggestions right away.
Speaking of opinionated, I am one of the interviewees... and as usual, I'm frank and opinionated. I've expressed a couple of ideas that I'm sure some will disagree with - and I look forward to the discussion that results from that!
Wednesday, July 07, 2010
Lots to Read, But Elsewhere...
The last few weeks I've been writing the KnittyBlog WWW Wednesday round-up post... lots of fun and interesting stuff for you reading pleasure! Check it out on Wednesdays!
In addition, Robin Hunter has posted an interview she did with me about the business of being (and becoming) a professional knitwear designer. I enjoyed the conversation very much - I hope you enjoy the result.
In addition, Robin Hunter has posted an interview she did with me about the business of being (and becoming) a professional knitwear designer. I enjoyed the conversation very much - I hope you enjoy the result.
Monday, July 05, 2010
Summer Knitting
Central Park, Sunday July 4th, 90 degrees or so. And yet still knitting with wool.
I may be slightly mad...
Saturday, July 03, 2010
Probably a very bad idea...
but a delicious one, on a hot summer day.
Happy July 4th to my US friends!
Friday, July 02, 2010
On Holiday
I've been quiet of late, but for two good reasons: I've been blogging over at KnittyBlog - which you should read, if you don't already. Even if I'm not writing it, you should read it regularly.
But also I've been on holiday.
With my knitting, naturally.
I took my knitting by subway to Coney Island and Brighton Beach.
Both my knitting and I had a very good time.
But also I've been on holiday.
With my knitting, naturally.
I took my knitting by subway to Coney Island and Brighton Beach.
Both my knitting and I had a very good time.
Friday, June 25, 2010
All Lace All the Time; Distractions
I've been knitting a lot of lace lately.You might remember the Shetland Skies circular shawl. In addition, I'm on the last of four lace designs intended for publication. I've loved doing them, but each of them has been on progressively finer yarn -- which is pretty scary when you think that the first two were worked with sock yarn -- and the last is starting to feel like a Herculean task. It's worked with true laceweight cashmere, at a gauge of abut 8 sts an inch, even on bigger needles. It's a circular shawl and I'm at round 54 of 97 of the final tier before I work the edging. I love it, don't get me wrong, but it's taken me about three times longer than I expected.
(One of the crew remarked today that I was looking a bit like a zombie, knitting as I walked, dead-eyed.)
At the same time, there is another deadline piece in the wings, picked up when I have an idle moment (hah!), not very lacy, but still triangular.
And as is the way when you're trying to be monogamous with a project (or two), there is always a distraction around the corner.
Blame Jennifer for this distraction.
It's no secret I love Noro. I've got some of it in my sock yarn stash. And it's no secret, also, that I have more sock yarn than I will ever need for actual socks.
So, sometimes, I like to use sock yarn for things other than socks. (Lace, for example, I use a lot of sock yarn for lace. Reference the Shetland Skies shawl again.)
I was admiring a shawl that Jennifer had crocheted out of my current favourite colourway of Noro Kureyon Sock, 242.
"Oh, it's so easy," she said.
"And quick."
"Here, let me show you."
And 10 minutes later I had the start of a crocheted shawl.
Am trying to be very very focused and not work on it. It will be my reward.
Wednesday, June 23, 2010
World Cup Knitting
A certain knitter (you know who you are, Miss L.), has been madly watching the World Cup. During her team's first game, she knitted lace.
For the next game, she chose a sock.
The problem is that her team actually happens to be doing quite well, so she's been looking at the screen, and not her knitting.
We've been fixing a fair number of mistakes. I suggested that a garter stitch scarf might be best for the next game, as it's a critical one against a better-rated team.
For me... well... I think it would be better to look at my knitting rather than the footie.
I wonder if I have time to whip up a flag before they are knocked out?
For the next game, she chose a sock.
The problem is that her team actually happens to be doing quite well, so she's been looking at the screen, and not her knitting.
We've been fixing a fair number of mistakes. I suggested that a garter stitch scarf might be best for the next game, as it's a critical one against a better-rated team.
For me... well... I think it would be better to look at my knitting rather than the footie.
I wonder if I have time to whip up a flag before they are knocked out?
Thursday, June 17, 2010
Saying Thank You
We were chatting last night about the knitters who came before us; our grandmothers and aunts and assorted and various relatives in our collective past, those who knitted with us, and for us.
We reminisced about the knitting we had received as gifts, before we ourselves were knitters.
You know the sort of thing I'm talking about... in the words of Dylan Thomas, from A Child's Christmas in Wales, "from aunts who always wore wool next to the skin there were mustached and rasping vests that made you wonder why the aunts had any skin left at all".
Those knitted gifts we didn't appreciate.
Sometimes we didn't appreciate them because they were ill-fitting (C's too-tight armholes) a bad choice of yarn (rasping wool, or sweaty 1970s acrylic), because they were a style not to our taste (K.'s black and teal shoulder-padded mohair number), or sometimes, simply, because we didn't understand the work that went into them.
In my case, my grannie Hilda had taste that matched well with mine, and we wore to death the things she made for us. We loved them, but we still really didn't appreciate them.
But whether we liked the items or not, whether they fitted or looked good or were nice to wear, whether they were worn to death or stuffed in the back of your closet, it's probably safe to say that we didn't appreciate the work that went into them.
I know I had no idea how long it took to make that perfect red and black mohair turtleneck pullover I convinced Mum to knit for me when I was a teenager.
K. told us the story of the black and teal shoulder-padded mohair number last night. K's a sharp dresser, and isn't afraid of wearing something distinctive and interesting - but teal mohair just wouldn't have suited her. She confessed that she didn't like the sweater, discarded it without a second look, and was relieved when it was accidentally thrown in the washing machine and felted.
Only when she started knitting did she realize the effort that had gone into the sweater, so she did the right thing: 30 years later, she picked up the phone and called her aunt to say thank you.
I believe a few tears were shed.
No matter how long ago the gift was knitted, no matter how many years have passed since it was given, it's never too late to say thank you to a knitter in your life for all that effort and love.
Grannie: Thank you. Not just for the all the knitting, but the inspiration. I love you.
We reminisced about the knitting we had received as gifts, before we ourselves were knitters.
You know the sort of thing I'm talking about... in the words of Dylan Thomas, from A Child's Christmas in Wales, "from aunts who always wore wool next to the skin there were mustached and rasping vests that made you wonder why the aunts had any skin left at all".
Those knitted gifts we didn't appreciate.
Sometimes we didn't appreciate them because they were ill-fitting (C's too-tight armholes) a bad choice of yarn (rasping wool, or sweaty 1970s acrylic), because they were a style not to our taste (K.'s black and teal shoulder-padded mohair number), or sometimes, simply, because we didn't understand the work that went into them.
In my case, my grannie Hilda had taste that matched well with mine, and we wore to death the things she made for us. We loved them, but we still really didn't appreciate them.
But whether we liked the items or not, whether they fitted or looked good or were nice to wear, whether they were worn to death or stuffed in the back of your closet, it's probably safe to say that we didn't appreciate the work that went into them.
I know I had no idea how long it took to make that perfect red and black mohair turtleneck pullover I convinced Mum to knit for me when I was a teenager.
K. told us the story of the black and teal shoulder-padded mohair number last night. K's a sharp dresser, and isn't afraid of wearing something distinctive and interesting - but teal mohair just wouldn't have suited her. She confessed that she didn't like the sweater, discarded it without a second look, and was relieved when it was accidentally thrown in the washing machine and felted.
Only when she started knitting did she realize the effort that had gone into the sweater, so she did the right thing: 30 years later, she picked up the phone and called her aunt to say thank you.
I believe a few tears were shed.
No matter how long ago the gift was knitted, no matter how many years have passed since it was given, it's never too late to say thank you to a knitter in your life for all that effort and love.
Grannie: Thank you. Not just for the all the knitting, but the inspiration. I love you.
Saturday, June 12, 2010
Cautious about Colour; How to Get Brave
Despite my orange glasses, and a rather passionate love for Noro, I would have to describe myself as being cautious about colour. In my clothes, I rarely mix colours. It's not that I'm entirely monochrome - I have lots of colourful dresses - but when pushed to put colours together myself, I always opt for simplicity: black or white with a single contrasting colour. And yes, in my world, denim is a colour. Sometimes I'll branch out and wear black and white and a colour, but that's only for brave days.
This is actually one of the reasons I feel confident enough to wear bright orange classes - I know that they will go with whatever I'm wearing.
The problem is not that I don't like colour: I have a purple couch, and a lime green bathroom and a red bedroom. One colour is fine; my caution is about putting them together. It's a problem of overanalysis. I can never decide if a particular shade of blue goes with a particular shade of green, or if that purple is working with or against the yellow, or if the red is too orange or too blue to go with my often red hair. So I make it very very simple on myself.
Although it might seem boring, this strategy has its upsides - everything matches in my wardrobe!
But I know damn well this is why I love Noro - because someone else has made the colour decisions for me. I'm not shy about mixing colourways of Noro - witness my Lizard Ridge,
and the Vass Variation sweater.
And this caution extends to designing - I'll cheerfully let someone else choose the colours for me, but if it's up to me, I'm cautious.
I think I might have found a solution to the problem... for $7, on the remainder pile at one of our local indie bookshops, I found this:
It's genius. It's just pages and pages of different designs shown with different colour combinations in different arrangements.
Click to enlarge the photos to see what I mean.
This tool not only gives me some ideas about how to put colours together, but also how they look weighted differently against each other.
Much fun and inspiration.
This is actually one of the reasons I feel confident enough to wear bright orange classes - I know that they will go with whatever I'm wearing.
The problem is not that I don't like colour: I have a purple couch, and a lime green bathroom and a red bedroom. One colour is fine; my caution is about putting them together. It's a problem of overanalysis. I can never decide if a particular shade of blue goes with a particular shade of green, or if that purple is working with or against the yellow, or if the red is too orange or too blue to go with my often red hair. So I make it very very simple on myself.
Although it might seem boring, this strategy has its upsides - everything matches in my wardrobe!
But I know damn well this is why I love Noro - because someone else has made the colour decisions for me. I'm not shy about mixing colourways of Noro - witness my Lizard Ridge,
and the Vass Variation sweater.
And this caution extends to designing - I'll cheerfully let someone else choose the colours for me, but if it's up to me, I'm cautious.
I think I might have found a solution to the problem... for $7, on the remainder pile at one of our local indie bookshops, I found this:
It's genius. It's just pages and pages of different designs shown with different colour combinations in different arrangements.
Click to enlarge the photos to see what I mean.
This tool not only gives me some ideas about how to put colours together, but also how they look weighted differently against each other.
Much fun and inspiration.
Thursday, June 10, 2010
Wednesday, June 09, 2010
Two Places at Once!
I've been contributing to the KnittyBlog of late, my most recent post being on The Outdoor Knitting Kit, just in time for WWKIP day, which will be celebrated in Toronto this weekend.
The forecast is middling for the day - chance of thundershowers - so you may want to consider adding an umbrella to the kit.
The forecast is middling for the day - chance of thundershowers - so you may want to consider adding an umbrella to the kit.
Friday, June 04, 2010
New Classes, New Issue of A Needle Pulling Thread
I'm very pleased to announce that I've added some new classes to my calendar for the summer: I'll be teaching a few special Monday morning sessions at PassionKnit in Toronto in June and July. See their classes page for more info.
In addition, the Summer issue of A Needle Pulling Thread magazine has hit the newsstands. This issue includes a feature on the lovely people of the Philosopher's Wool Company. Ann and Eugene hosted us for a visit last summer, and this feature is the result of that. We're also featuring a one-of-a-kind sweater kit to order, exclusive to A Needle Pulling Thread. See a sample of the issue here.
Also in this issue is a nautically inspired tank top design by the lovely Emily Foden, of Viola yarns.
In addition, the Summer issue of A Needle Pulling Thread magazine has hit the newsstands. This issue includes a feature on the lovely people of the Philosopher's Wool Company. Ann and Eugene hosted us for a visit last summer, and this feature is the result of that. We're also featuring a one-of-a-kind sweater kit to order, exclusive to A Needle Pulling Thread. See a sample of the issue here. Also in this issue is a nautically inspired tank top design by the lovely Emily Foden, of Viola yarns.
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