The Moose Sweater; Still Looking for an Olympic Project?

For those who follow my Twitter feed, you might recall a number of tweets around the end of last year about a moose.

I was working on a moose sweater. Not just any moose sweater... The Moose Sweater.


The sample is on display at The Purple Purl. The pattern is available exclusively from them, and it's free with the purchase of 5 skeins of the yarn.

I used Earth Collection Homestead yarn. This is an absolute gem - it's light and warm, with a lovely not-too-scratchy hand, but not so soft that it will pill. It comes in the three solid colours I used for the design, and I think they work very well together. Any aran weight would work - perhaps Mission Falls 1824 or Louet Riverstone - if you want to add a bit of colour

Click through to the Purple Purl newsletter if you want to see the fun Miko is having with an additional colour...

Classes - Socks and Others

Just a reminder - I'm teaching five classes at the DKC Winter Workshops in Toronto this weekend: Entrelac, Design-Your-Own Custom-Fit Socks, Math for Knitters, Pattern Alterations, and an "Expert Tips" workshop.

I'm particularly looking forward to the Expert Tips class - we'll be talking cast-ons, cast-offs, increases, decreaseds, blocking, swatching - all the goodies and tidbits that I've learnt over my years of knitting.

Spaces are still available in all classes, and you can sign up at the door.


Speaking of classes, a student from a recent sock knitting class took this tremendous photo. This is me in my happy place - sitting in the sunshine, surrounded by hot drinks, socks and sock yarn, and me wielding a ruler to measure gauge. Thanks Marnie! She also has some nice words to say about my class on her blog.

Puffy Vest: Record Time for A Completed Sweater

It took two tries, but the Puffy Vest turned out exactly the way I wanted. Last weekend, I had worked almost all the way up to the armholes, and discovered that it was too big.

So I undid it - bravely - and restarted with fewer stitches. I cast on the second time about 5pm on Monday, and I had it finished 49 hours later - just in time to wear for my Wednesday night class. (Although I have to say that it's not easy to do a three-needle bind off with only two needles, when you're on the streetcar. It can be done, but it's not for the fainthearted.) When I left the house to go to my class, it was still on the needles, but I finished it enroute. N looked a bit befuddled when I arrived home... "That didn't have a hood when I saw it last, did it?"

And it's perfect. Fits exactly the way I wanted, and looks just as I hoped it would. It needs to be quite fitted and cropped, otherwise the puffiness of the mohair would be overwhelming and unflattering.



I expect to wear this a lot.

I designed and knitted this entirely for me - an unusual treat. This wasn't a commission, it wasn't designed with publishing or sale in mind - it's just for me. I was, therefore, able to indulge my own whims - and make it to fit little ol' me.

The gratifying thing is that the response has been so good I think I will write it up for sale.

Although I might need to knit a second one, in a colour that will actually photograph well. I think I need to convince Mum to knit one for my niece so she can test the pattern...

New Design; Justifying a Noro Obsession: Silk Garden Entrelac Hat

It's no secret I love Noro yarns. And I'm always looking for good ways to use them. And I think one of the best ways of all might be Entrelac... the lengths of colour seem perfect for this technique. I've got a scarf pattern.


And now I have a hat pattern. For sale on Patternfish and Ravelry.

Uses barely any yarn - just 1 or 2 balls, depending on the size you knit.

It's not difficult, this Entrelac thing - you just need to be confident with decreasing and picking up stitches. And I know you're confident with picking up stitches because you read my blog post of a couple of weeks ago. Right?

I can guarantee that you'll get more attention knitting Entrelac in public than anything else you might have ever worked on. You get the usual glances from non-knitters, but the usual nods from knitters turn into admiring, amazed stares.

And the funny thing about Entrelac is that it's actually easier in the round than flat. Really!

Go on, you know you want to try it...

Sometimes you just have to say goodbye...

To the knitting, that is. I was making excellent progress over the weekend with my mohair puffy vest thingy...

and I knew I was approaching the length I wanted to the armhole. So I slipped all the stitches to a longer circular needle and tried it on.

Eek.

I was significantly larger than I had planned. There was an extra 4 inches circumference at the bust - and that just wasn't the look I was aiming for.

So I closed my eyes, took a deep breath, and pulled the thing off the needles.

This takes courage.

I coach students on this all the time... if you're going to hate the result, if it's not going to fit, if it's not going to be what you want - ultimately, if you're never going to wear it - then it's not worth finishing. You should have the courage of your convictions to start over again.

But that doesn't mean it's easy or fun.

There's a secondary lesson here - it's always a good idea to check your progress as you're going. Measure the piece once in a while to make sure it's actually the size (and indeed shape) it's supposed to be. If I'd checked earlier, I could have saved myself some time.


Still, I'd rather have spent the extra time to get the garment I want.

So with fewer stitches, I'm making faster progress, and am well on my way to completing this thing.

(Add to list of things that make for difficult and boring photography: black mohair knitting projects in progress.)

Old Yarn, Old Needles

I've been working on a bunch of assignment knitting - most of it not yet ready for publication on the blog...

Because I am a sucker for punishment, two of those projects are colourwork. Now, it's not that I don't like colourwork, it's just that it's the sort of knitting that tries my patience - it's slow and careful work, and I am so damn critical of my own technique that I keep undoing perfectly good sections to make them "better". The results are great, but the journey is slow.

And of course, because my knitting plate is full, I inexplicably felt the urge to cast on for a new project.

Something easy-peasy, auto-pilot-appropriate, and fun.

A couple of months ago, I was chatting with a knitter about our stashes. (Comparing stash sizes is a perfectly healthy thing to do, really.) In particular, we were talking about the strange and absurd things hiding in the corners. I confessed to her that I have a soft spot for what I call "big tacky 1980s mohair".

You know, this sort of thing:

(The lime green thing I used as a background is a story for another day.)

So she appeared a few days later with a bag full for me. "Take my mohair - please."

So I did.

It was a load of tremendous black and emerald green mohair, which she'd apparently acquired in a moment of madness at the Textile Museum yardage sale, and had regretted ever since. And it's exactly the sort of thing I love. It's been sitting on my desk since I brought it home, daring me to knit it.

And last weekend inspiration hit. I'm working a sleeveless pullover thing, with a deep v neck and a hood. (Given that I really don't have time to knit anything else right now, I decided to sacrifice the sleeves.) It's loosely inspired by something I saw a kid wearing on the streetcar the other day, a hooded puffy pullover-style vest. ( I think it might also need a kangaroo pocket, but I'll decide that when I get there.)

I'm only allowed to work on it when I really can't work on anything else - when the light isn't good enough, or I have to pay attention to something else. The body is in the round to make it as quick and easy as possible, so even thought it's in black, it's plain sailing so far. Knit knit knit knit knit knit knit.... And I'm having much fun.

(If you've been paying attention to my previous rants, you'll know that I'm not always a fan of things worked in the round - they can be heavy and saggy - but in this case, mohair is so light there is no risk of stretch or sag.)

After swatching, I realized I need an odd needle size, a 5.5mm. (Precisely the one they specified on the ball band, interestingly enough, although why they give a needle size but not a gauge, I don't know...

)

Anyway, I dug around in the cupboard and came out with a needle I haven't used in years - an old Susan Bates aluminum circular. I was thinking I'd just use that to start the project, and then when I got back to a shop I'd pick up an nice slick Addi. But I've kept going on the Susan Bates - it's rocketing along. The needle is just slippery enough, and I have to say the point is a fair bit sharper than the equivalent size Addi Turbo - which you need for a fuzzy sticky yarn like mohair.


So yes, vintage yarn on vintage needles - and I'm loving it!

Counting Rows in Cables

Had a great time in KW on Tuesday - the gang was very welcoming, and there was some good discussion.

I'd taken a few of my samples and patterns, and I heard a knitter comment that she'd made a shawl that looked a bit like the one on the table... and then she realized that it was the one on the table she'd made. She'd bought my pattern online, and hadn't realized I was the designer.

I love to see other knitters working and enjoying my designs.

One of the tips I shared in my presentation was how to count rows in a cable...

Specifically, how to figure out how many rows you've worked since you've turned the cable.



Easy!

If you're working flat, start by figuring out what row is facing. If the cable is facing, that means you've worked at least one WS row after you turned it, so you've worked an odd number of rows. That's a start.

And to be absolutely precise - whether working flat or round - use a spare needle:

Insert the needle in the "hole" that's created by the crossing over of the cable. And just count up the rows from that! Don't count the one that the red needle is under, and don't count the row that's actually active on the needles - just count the rows in between.

Three!

See? Easy!

On Picking Up Gusset Stitches: Avoiding a Hole

This is a sock knitting question that comes up fairly often, most recently in a Twitter exchange.

How to avoid the hole at the top of the gusset when picking up stitches?

(This applies only to a sock with a heel flap - the rules are different for a short-row heel. I'll cover short-row heel holes at another time, if you're interested...)

When you're at the top of the heel flap, have run out of edge stitches, and need one more stitch, many knitters have been tempted by the siren song of that lovely little bar that hangs out between the heel flap and the held stitches of the instep.

This one:

DON'T DO IT!

Picking up this one causes a hole.


Other knitters just stop at that point, and give up on the extra stitch. That doesn't help either, as it can leave a bit of a gap between the instep and heel flap.

Instead, keep going in the direction you were going...

That is, keep going up in the same 'column' you've been picking the stitches up in, in a straight line...

Yes, you're up into the leg of the sock, above the divide for instep and heel flap, but this is a good thing.

First of all, it keeps the gusset pickup in a tidy straight line.


And it handily eliminates both risk of hole and gap. No hole because you're picking up a fully formed stitch, and no gap because you're actually going to cover up the divide. And going that extra stitch makes for a better fitting sock, with a bit more fabric to fit comfortably around the heel.

No, it doesn't create any significant extra bulk.

As to coming back down the other side? Before I start picking up, I count up to figure out where I need to start. And I start up in the leg a bit, to match the first side.


And final tip - on the following round, I work the picked up-stitches through the back loop. It tightens and closes them up a bit, and makes the whole thing a bit neater.

Off to K/W Today

With a 12MB PowerPoint file and a bag full of knitted goodies. Can't wait to meet everyone there!

Am taking an interesting combo of bus and train - lots of excellent knitting time.

Reader Mail & Comments on Edges

Thanks for all the great comments on the last post. Hilda would be pleased!

A knitter I was chatting to yesterday commented that her grandmother used exactly the same technique, but she had also forgotten it until recently. I'm wondering how such a clever thing got lost between generations. What's interesting to me is that my Mum didn't think it was particularly noteworthy - but then you wouldn't, if it was something you'd been doing all along.

Anyone else been doing this all along?

Kirsten comments about the "slip the first stitch of every row" technique. Yup, it's terrific way to create a tidy edge - but it's only useful if you're not going to be seaming that edge. Slipping the first row of every stitch makes seaming more difficult - and a bit messier, IMHO. But for a scarf, or a baby surprise jacket, or blanket, or what-have-you - it makes a lovely edge.

Compare the two on the swatch... slipped on the right vs. not on the left. See - lovely!


The most important thing, however, is to be consistent about it. If you forget on a single row, it borks the whole thing up. A stitch marker at the edges can be helpful with this.

Knitting Tip from Hilda

The original wise Hilda, the knitter after whom this blog is named, was my Mum's Mum.

She was a tremendous knitter and crocheter - and played a mean hand of bridge, too.

She taught me to knit as a girl. (We didn't get very far with crochet. All I could do was crochet absurdly long chains. I remember a purple one in particular. I'm honestly surprised I didn't trip anyone over with it, or accidentally throttle the cat.)

Of course, she also taught Mum.

Mum's been working on a sweater for me - a sort of contract knitting job. I sew up the sweaters she knits for herself and for gifts, and so in exchange she's doing the knitting on a cardigan for me.

I was watching Mum knit the other day, and noticed something interesting. I stopped her, and asked her what she was doing. I'm a little sheepish I had never noticed it before, it's a brilliant thing.... My Knitting Hero, the original wise Hilda told Mum to work the last stitch of every row through the back loop. As I say in my classes (usually when discussing swatching), no matter how good a knitter you are, your edge stitches are always a bit wonky. Working them through the back loop tightens up them up so nicely, and significantly reduces the wonkiness. So simple and so wonderful!

(The two Hildas on a snowy day in Niagara Falls, circa mid-1980s.)

Thanks Hilda! Still learning from you after all these years...

Starting As I Mean To Continue: Talking about Knitting

The 2010 knitting year starts with a bang for me - two big speaking engagements coming up very soon.

Tuesday January 12th, I'm honoured to be the inaugural guest speaker for the Kitchener Waterloo Knitter's Guild's Year of Lace, on the topic of "Finding your place in your lace". You can be sure I'll spend a least a couple of minutes explaining why you need to swatch... I can turn anything into a justification to swatch - try me!

And the weekend of February 6 & 7th I'm teaching at Toronto's Downtown Knit Collective Winter Workshops. I had a terrific time teaching there last year, and I'm thrilled to be participating again. I have a full slate of classes - math for knitters/basic alterations, designing custom-fit socks, the perennially popular entrelac, and advanced alterations.

If you're there, say hello!

Is It Even a Hand Spindle?

This is how little I know about spinning... an eagle-eyed reader commented that she's seen a spindle like mine in a machine in a spinning museum in Barrington, Nova Scotia. It may not even be a hand spindle - it may only be for machine use. I must confess, I was confused by the lack of little hooky thing...

(It was given to me by a friend who can't actually remember where she got it from, hence the possible confusion... )

Really terrific picture and story of the museum at this link.

Anyway, Denny will help me figure it all out, I'm sure.

Clearly, someone thinks I was good this year.

A few great books from Santa this year...


Alice Starmore's seminal book on Fair Isle knitting. If only so I can help Mum with her sweater... It's been out of print for a long time, very glad to see it back. This will be widly relevant in the very near future - I have a couple of colourwork designs cooking - one for socks, naturally, the other a garment.

Another fab obscure book on lace knitting, Gladys Amedro's "Shetland Lace".

The rather absurd and marvelous "Knitted Cakes". Next year's Christmas cake may well be knitted...

And of course, every girl needs a sheep spotting guide.... "Know Your Sheep" by Jack Byard.

This is particularly useful since Denny tells me that 2010 is the year I learn to spin. She is insisting.

I've acquired a spindle... here we go....


I may not yet know how to use the damn thing, but at least I know what a Bluefaced Leicester looks like.

Blame It On The Eggnog

Have been frantically working on the Festive Socks, between glasses of eggnog and hunks of boozy fruitcake. About halfway done the second....


the clock is ticking... desperately want to be able to wear them for Christmas.

Am very pleased with them. I've made the stripes match, but have chosen to add a bit of fun by making the heels different. My thought was that since there is so much going on with the yarn, I wanted to keep the overall effect pretty clean.

All well and good but for one key detail....

I managed to mess up the ribbing.


One is k1 p1, the other is k2 p2.

Ah well, blame it on the eggnog. And cake. And Black Oak Nutcracker. And Great Lakes Brewery's Winter Ale.

(I'm surprised that I'm doing this well with them, truth be told...)

Twist Collective/Errata/The Internet as a Knitting Tool

In a comment on my previous post, Julia of Twist Collective mentioned that they guarantee all their patterns. A brilliant idea!

Another comment made the wise point that a knitter should always search for Errata before beginning a project. This is one of the reasons I love the Internet. Google the name of the pattern and the magic work "errata" or "updates". Mistakes do happen - if they've been found, chances are they have been published online.

And this is why Ravelry is such a wonderful tool. First of all, it provides an easy way for designers to deliver an updated version of a pattern if a correction needs to be made. More importantly, however, the knitters themselves are an amazing source of information. Between the various forums and discussion groups, and each knitter's project notes, there is a wealth of information to be found on patterns.

This is particularly relevant when a pattern isn't wrong, but a knitter is just have difficulty with it. Whether it's simply a technique that's new to a particular knitter, or whether it's something that's not explained in sufficient detail, or perhaps just poorly or oddly written, the collective wisdom of the Ravelry community is an amazing tool.

In addition, you can often find the actual designer on Ravelry, and ask a direct question.

Patternfish, also, allows a designer to issue an updated version of a pattern to all purchasers. Knitty highlights pattern changes and fixes in pink.

Mistakes do happen - it's all about making it easy for knitters to find the fixes.

Technical Editing/Request To Designers/Minor Rant Of The Day

As a teacher, an editor, and a knitter, I see an awful lot of knitting patterns.

One of my most popular classes is the Project Class. It's a multi-week session that allows knitters to work on a project that is a personal challenge. I get all sorts of great projects in the class - new knitters who have knit a few scarves and are ready to progress to a hat; experienced knitters who want to learn a new skill like lace; and adventurous knitters who want to learn how to wrangle a pattern.

Knitters bring patterns from all sorts of sources - from published books and booklets, from magazines, and of course, all sorts of online patterns, freebie and otherwise. And I have to read through every one of them.

There are lots and lots of online sources for patterns - a thousand and one blogs, including mine, and all those self-published patterns in Ravelry and Etsy.

The problem is that many of them aren't good.

A student brought a hat pattern recently to one of my classes. She'd bought it on etsy, and I was shocked at the poor quality. Sure, the instructions were right, but it was missing key information: gauge and sizing. This disappoints me enormously. As designers, we're doing knitters a disservice if we're not providing patterns that are correct, complete and easy to follow.

Mistakes do happen, absolutely. Typos, incorrect numbers, editing slips. I've suffered from that myself more than once. (True confession: there was a minor mistake in the Vampire Sock pattern when it went live. We caught it pretty quickly, and fixed it, but it was there.)

But not providing sizing or gauge information is a major oversight. That would be bad in a free pattern, but it's absolutely unforgivable in a pattern that is sold.

I'm a little more forgiving of self-published freebie patterns - one of my students worked an absolutely stunning lace shrug from a pattern on a blog. It was a struggle - the pattern wasn't very well written, and there were a few pieces of information missing, but it was a freebie, and the author wasn't claiming that it was perfect, nor did she charge money for it.

In my opinion, any pattern - free or otherwise - needs to be complete and correct. Designers - please please please have someone proofread your pattern. And if there is a mistake, publish errata online. Please.

Incorrect patterns frustrate knitters. And frustrated knitters give up.

And if knitters give up, there are fewer of them out there knitting and buying patterns and yarn, and fewer designers can earn money, and fewer yarn companies can survive.

If people ask me about good sources for free patterns, I point them in the direction of Knitty (of course) and Berroco. I know that in both cases, the patterns go through technical editors - and therefore, they are going to be complete, accurate and well-written. It depresses me that I have to tell people to shy away from indie designers, but unless it's someone whose patterns I know and trust, I can't guarantee that the knitter is going to have a good time.

And after all, this is a hobby. It should be a good time.

I Have A Little Dreidel...

I made it out of... yarn... ?

Free Dreidel and Christmas stocking patterns available with any purchase from my friends at Signature Needle Arts.

KAGY/No Felting

Love it! Mavenknits suggests we form an alliance - Knitters Allied Against Growing Yarn. Can I be a charter member?

Also - because the damn thing is superwash it won't shrink or felt.

Gauge Mess/Festive Socks

(If you think you're likely to receive a hand-knitted Christmas gift from me, please stop reading now. You know who you are.)

If you're still reading, please be entertained by this picture of the very silly sparkle-tastic festive spectacular socks I'm knitting from the North Pole yarn.

I absolutely love this - they're awful and tacky in precisely the right way.

Ok, back to the more pressing topic...

Am knitting a second Morgan hat as a Christmas gift for someone special. I chose a different yarn this time - Mission Fall's 1824. I matched the stitch gauge without a problem (working on slightly smaller needles than I would normally for this yarn) - and yes, of course, I swatched. And I even checked the gauge several times as I was working, as is my wont. And all was good.

But about three quarters of the way through, the little voice in my head started to speak up.

I've worked with this yarn before, for my Rogue sweater. And I recall, very clearly, that the damn thing grew after the first wash. In fact, I recall (only now, of course), swearing off that yarn for things that would need frequent washing and/or a good fit.)

I carefully measured my gauge again. Unblocked, it was a little tight on stitch gauge - which is absolutely fine - but I was already over a little bit on row gauge. Not a lot, but just enough to make me worry.

So I took it off the needles, and very gently blocked it.

It's a good inch and a half too long and too wide - and it looks like a dinner plate.


I briefly considered undoing it a bit, and altering the pattern and generally reengineering it. It wouldn't have been too hard, but I worry that the damn thing would have kept growing.

So, back to the start. (Hey, you! I bet you're still reading - all I can say is that I hope you like it!) I found some Cascade 220 hiding in the stash, so will be using that.

And the Mission Falls yarn? Well, a couple of friends are expecting, and the yarn is washable. Moss green baby blanket, anyone? Doesn't matter if a baby blanket gets bigger, after all!

FO & Crochet Killer App

In my other life, the tech world, we talk about the concept of a killer app. It's usually used in the context of being the one thing that convinces you to use a particular piece of hardware. In the context of video gaming, we used to say that Halo was the killer app for Xbox - it wasn't available for any other gaming machine (at the time), and it was so good you just had to get yourself an Xbox.

I recently found my Crochet Killer App: the thing that convinced me to seriously take up crochet. You know, like following a pattern and everything...


The Metropolitan Headphones (scroll down) from Brooklyn Tweed's pattern book.

Big old retro headphones - (a.k.a. "cans") in wooly form.

I think I look suitably ridiculous in them, no?

Crochet is terrific for structured fabrics, and using two different sizes of crochet hooks you get a nicely formed earcup. They're hollow in the original design - to put over your headphones! Since I use earbuds, and my ears get very cold, I'm thinking of lining them with fleece for extra warmth.

My Friends in Kenosha, WI Have Been Improving Things Again

I'm not a user of sock blockers. I have feet for that, after all. My usual (foolproof and pragmatic if slightly odd) method for blocking socks is to get them wet, roll them in a towel to wring them out, put them on, take them off, and then hang them to dry.

I struggle more with drying them than I do with blocking them. I often handwash my handknit socks - not entirely necessary, but it's not a huge hassle and it it's worth it to me if they last longer. And then I have to hang them up to dry.

The thicker ones take ages to dry.

(Gratuitous damp sock story: last October, we flew to the UK for a weekend to surprise one of my brothers brother for his 50th birthday. I finished a pair of Socks that Rocks socks moments before we left home, so I wore them on the plane. I washed them on the Saturday morning, and on the Monday morning, as I was dragging myself out of bed for an early flight, I realized they were still pretty damp. Lots of frantic toweling, and a spin in the dryer, and they were still damp when I needed to leave. Naturally, they were the only clean socks I had, so I put them on anyway and headed out. By the time I got to the departure lounge, they were mostly dry, and to finish them off I took them off in the ladies' loo and spent a few minutes with them under the hand-dryer. I am quite certain that stranger things have been dried under the hand-dryers in the toilets at Heathrow - I didn't get a single funny look. Anyway, no trench foot, no pneumonia, and the best-blocked socks ever.)

My brilliant friends at Signature Needles have solved my sock-drying problem with their new sock blocker/sock drying rack. Love it! Socks dry in record time, and they are elegantly out of the way on my shower rack - and if they are dripping, it all drips nicely into the tub. The rack also hangs over a doorknob or a corner of my laundry rack.

Brilliant and beautiful - they've done it again.

(All I need now is a travel version... )

Reader Mail: On Signature Straight Needles

Lisa read my post on the Signature dpns and asks about their straight needles.

I have one set - I'm not much of a straight needle knitter myself, I find them too long. It sounds silly, but they get caught in my bracelet.

I do have a single pair of the 7 inch needles in the 4.5mm size - the size I used most often for demonstrations in my classes. I'm teaching a fixing mistakes class this week, for example, and I have a couple of swatches I like to have on needles.

There is a major difference between the straights and the dpns - and that's the bodies of the needles. The straight needles have very slick bodies; the dpns are slightly grooved so that your knitting stays in place.

You can also get different points with the straights - Stiletto, Blunt or Middy. I'm a Stiletto girl all the way, but I can definitely see the value of blunt needles for fuzzy or splitty yarns. You also have a choice of decorative ends, which I think is a lovely touch.

Again, colour coded by size, which is not to be underestimated. (In my Fixing Mistakes class, one of the confessions I hear quite regularly is about knitting with mismatched needles...)

Again, they are an investment, and might not be for everyone - but they are tremendous, tremendous tools.

The yarn, BTW, is the amazingly soft, warm and delicious bamboo blend sock yarn from Bijou Basin. Am noodling on a scarf/lace idea for it and I have been swatching. I do love the Signature needles for lace because the famous Stiletto points are unbelievably good for all that decreasing.

(I'm not being paid to advertise these products, I promise. I'm just a fan!)

On Display...

A few weeks ago, Megan at Lettuce Knit got a funny phone call. From a certain High-End Department Store on Bloor Street in Toronto. They needed a scarf. A red scarf. For their holiday store display. Specifically, they needed 58 feet of red scarf.

Megan found the heaviest red yarn she could locate - Cascade Magnum - and I did some math.

58 feet was going to take 15 skeins.

The wrinkle was that this High-End Department Store needed it within a week.

Calls were made. Knitters were gathered. DVDs were rented. 15mm needles were distributed.

Me, I did about one and half skeins' worth.

I went to visit it last weekend, this scarf. Looks rather chic, no? It's in three sections, spread around this rather amazing display on the second floor.

This will be the only time in my life that any of my work will be on display at High-End Department Store, and I'm going to enjoy it!

On Gifting/Thinking About Christmas

I finished the gift project the other day... looks pretty good, I think.

N. is modeling it very reluctantly.

A labour of love indeed. It wasn't a giant project, and so it wasn't a huge burden, and I'm happy to have done it.

Lots of good comments and discussions around the "Labours of Love" post. One knitter says that she's entirely happy to knit for someone who doesn't ask - since it's a genuine, from-the-heart gift. Makes sense to me!

I am considering knitting one gift for Christmas this year. Just a small thing, but I think it will be appreciated. Or will at least get a laugh.

Speaking of Christmas, have developed a mild obsession with this....

Yes, it's tacky Christmas sock yarn with glitter in it. And I needs me some.

My lame attempt at rationalizing it goes like this... I'm always knitting socks in public, and usually have one on the go when I'm teaching - and wouldn't it be fun it if were seasonal!

Yeah, that's it.

Might have to make a special pilgrimage to Mary Maxim to get me a ball.

Yes, that's right. It's tacky Christmas sock yarn with glitter in it MADE BY MARY MAXIM.

I am so ashamed...

Flat 'at

I look sorta drunk, but for a variety of reasons, that's actually the right look for the hat.

Morgan, as published on Knitty. It's a feat of engineering, that hat. Very clever pattern. Not an easy go - there isn't a single section of autopilot knitting - every single row/round has to be counted, with increases and decreases and short rows.

But absolutely, 100% worth it.

My new favourite drinking hat.

Price No Object/Labours of Love

Every knitter I know has been asked at least once... "Will you knit a hat/sweater/scarf/pair of socks for me?"

All knitters, when asked this question, hold their breath for the inevitable next bit... "I'll pay."

I recently had a very nice email from someone in Australia - probably found me through a google search - asking if I could help him find someone to knit him socks. Socks like his grandmother used to make. "Price not really an object."

I tweeted about this, and got some amusing responses. Yup, we'll all been there.

Most sensible knitters simply provide a rough estimate of the number of hours required to knit such a thing, and the conversation stops dead. Some knitters I know quote a (seemingly) outrageous amount - $1000! - to much the same effect.

But you know, $1000 isn't far off for a sweater.

An average pair of socks, by the average knitter, in average sock yarn takes on the order of 10-15 hours. Multiply that by a reasonable hourly rate - $15 an hour, let's say - and that's $150 to $225 in knitting time. Then add yarn - $25 for something nice.

$175-$250 for a pair of socks.

A sweater can be 40 hours knitting. That's $600 for the time. And then a sweater's worth of yarn is $100 or more. So we're at $700. Then factor in things like opportunity cost (Christmas is coming and by making this sweater for you I'm sacrificing key gift-making hours), cost of needles you have to buy, and the coffee and chocolate you'll need to push through a deadline project - and all of a sudden $1000 doesn't look insane.

I don't begrudge a non-knitter asking the question. It's reasonable enough. After all, it wouldn't occur to someone that knitting could be so slow. You can see the incredulous look on the faces of the muggles... WHAT? This is a sensible use of time?

At this point, I usually just smile and remark that it's a labour of love.

All that having been said, many of my friends and students know that I'm currently knitting a scarf for someone to give as a gift to someone else. The person who asked me to knit it likely hasn't the faintest idea how much work is going into it - and in this case, that's ok. I love both of them (the requestor and the giftee) and it means a lot to me to do it.

(You know who you are - damn right you're taking me out for a meal, though ;-) )

On Pairs of Socks - Or Not

Of late, I've been noodling on the concept of a pair of socks.

Most pairs of socks are two of the same. That is, the two are exactly the same.

But when I look at my sock drawer, I have almost as many pairs of "unmatched" socks as I do matched. That is, socks that differ in some way...

there's Regia Nation Colour socks of course....

And then there's a pair each of Noro Kureyon socks and Silk Garden socks - neither of which is precisely the same.

The Kureyon socks on the left are more identifiably a pair - colour #185; the ones on the right are less obviously related, but I promise they are - colour #245.

Up next is the Zauberball I bought at Sock Summit...

which has even longer lengths of colour than the Noro yarns - looks at Lisa's as an example. Can't wait to see how different they work out to be!

This shouldn't come as a surprise - I do have a history of this, even with patternwork on my socks... the Signature socks differ, as do the Midnight Sky socks.

All of which is to say that I think I've landed on my theme for 2010 sock knitting - odd ones!

Vampire Socks Update

To paraphrase, "I may be sock knitting's bitch, but at least I'm man enough to admit it."

I'm very much enjoying the knit-stalking, following all the active projects on Ravelry. Loving all of them, some great choices of colours. There's a green Vulcan boyfriend variant (Rav link). And I loved Grace's picture of her William The Bloody (a.k.a. Spike socks).

It captured precisely what I was aiming for.

This is all the thanks a designer wants... to have knitters amused and happy with my pattern.

Knit on!

Conference Knitting/On Deadlines

I've met some great new knit friends of late, through Ravelry thanks to the pattern, and in various shops.

Had a great time on Monday with two intrepid shoppers, visitors to our city. They had flown into town for a conference and needed some conference knitting. The shop was their first stop, before even registering.

They wanted something to knit while they were in session - something that was interesting, but not so difficult that they couldn't pay attention. And they were looking for something Canadian, as a souvenir. (That means it doesn't come out of the yarn budget, you see. It comes out of the travel budget. Made perfect sense to me.)

For B., we settled on some Fleece Artist silk for a Clapotis.

A. confessed somewhat sheepishly that she didn't actually need a new project. She had one in her bag. She did need buttons, though. You see, A., had a completed sweater back in her bag, a bunch of yarn and pattern, and a deadline. She is presenting on Friday and plans to wear the sweater. "And if it's not done, I'll be standing up there in my bra."

I wish her godspeed!

Miss November

Almost exactly a year ago, Miko and Melinda arrived at my apartment with a camera and their senses of humour turned up to 11.

This is what resulted...


Yes, I am Miss November in The Purple Purl Naked Knitters for Charity calendar... proceeds went to Princess Margaret Hospital.

Knitters everywhere are looking at my cheerful mug this morning... I think today I shall wear the socks I was knitting in the picture.

On Finishing/Scary Things for Hallowe'en/Thinking about Christmas

With help from me and Ann Budd, Mum is knitting a sweater for T, out of Briggs and Little yarn. A simple stocking stitch sweater with set-in sleeves and a crew-neck.

It's coming along brilliantly - and quickly, being a chunky weight - and Mum's been using it as a palate cleanser between two more complex projects. (A strategy I use myself - having something complicated on the go for when you've got the time, brainpower and strong light, and then something easy for when you just need some therapy knitting, or for when you actually want to pay attention to something else, or you're in the car and don't want to make yourself car-sick.)

She's ready to put it together and work the neckline. So we had the talk about sewing up.

I've said it before, and I'll say it again: proper seaming techniques seem to be a rare and wondrous - nay, magical - art. I love teaching the Finishing class, just for the looks of amazement at the beauty and ease of a mattress stitch seam. It's incredibly gratifying, sure, but I know that by teaching proper finishing, I'm opening up a whole new world of knitting projects - things that HAVE ... cue scary music.... more than one piece!!!

There are lots of knitters out there who dislike finishing, and will do anything to avoid sewing up. (Even, god forbid, knitting one-piece sweaters. Stop with the one-piece sweaters, people. They're not *that* much easier, they can be difficult to fit properly, and because they have no seams they are often saggy and stretchy and baggy.)

I have said it many times: proper finishing is neither difficult nor scary. And it's SO worth it. A well-sewn seam is a thing of beauty, and makes a garment looks so much better.

How did I learn to properly finish? The bible, of course.

If you're serious about knitting, if you want your garments to look their best, if you want to be proud of your work, if you want to be able to wear the sweaters you make for events other than walking the dog, if you want to be able to work projects that come in more than one piece - if you want to be a better knitter - BUY THIS BOOK.


Put it on your Christmas/Chanukah/New Year/Birthday/Diwali/Kwaanza wish list. Damn it, register for it as a wedding gift. I don't care. Just get a copy.

I've had my copy since the mid 1990s, and it's well-loved and looking pretty tired. I paid $60 for it at the time - which was totally appalling, but good knitting books were very hard to find back in the dark ages at the end of the last century. The dust jacket is long gone, it's dog-eared, stained with coffee - and I use it every day.

(And yes, yes, I know there are lots of great references and resources online. But you still need this book. Not only does it show you how to do anything you might ever want to know - a million different methods for casting on, casting off, increasing, decreasing, seaming, you name it - but it also explains why and where you might need to use a particular technique. Online videos are terrific for seeing a technique illustrated in three dimensions; the bible provides the background you need to know where to use a technique.)